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==In The Spotlight==
 
==In The Spotlight==
[[File:Adi_Enders_and_Vauta.jpg|300px|right]]
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[[File:Darix_Togni_1963.jpg|right|thumb|320px|Darix Togni]]
===ADI ENDERS===
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===THE TOGNI FAMILY===
  
Adi Enders (1935-2025) was born Adolf Hermann Enders on April 16, 1935 in Köln (Cologne), Germany, to an old family of circus equestrians. His parents were Hugo Enders (1899-1952), a jockey and horse trainer, and Alma von der Gathen (1905-1944). Adi had five siblings: Rudolf, known as Rudi or "Männe" (February 22, 1927 - April 5, 2004, Aachen), who became an animal trainer; Jean, known as "Schengel" (April 9, 1929, Alsdorf - March 3, 2004, Breinig) who became a clown under the name of Pipo; Willi (1932 - December 6, 1988); and Jakob, known as Jacomo or Jacky (May 8, 1938 Neustadt an der Weinstraße - November 24, 1994) who became a jockey, but would also be known for his plate-spinning act, and as a clown; and his sister, Medi (born February 19, 1928).  
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The dynasty was founded by Aristide Togni (1853-1924), a university student who, in the 1870s, ran away and joined the Circo Torinese, a circus company  headed by Giovanni De Bianchi. Like many Italian circuses at the time, the Circo Torinese performed on stage, in theaters. De Bianchi had married Maria de la Garenne (a.k.a. de Lagarein), a Sinti gypsy, who was said to be the granddaughter of a French nobleman who had fled to Italy during the French revolution.  
  
Adi and Jakob Enders grew up in the family of their aunt, Maria Althoff, née von der Gathen (1908-1999), who was Alma’s sister and was married to the circus director and animal trainer Adolf Althoff (1913-1998). Adi was trained in acrobatics by Mohamed "Momo" Saharaoui Faroki, who was a member of the Ben Mohamed Troupe, a Morrocan tumbling act, and by his uncle Adolf, who took care of his education in equestrian arts and animal training.
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Togni married Giovanni's daughter, Teresa De Bianchi. Together, they created a circus company of their own—which, as legend has it, consisted of a single wagon and a monkey—and headed for the South of Italy. Circa 1880, they had acquired a small, one-pole big top that could house an audience of forty: the first Circo Togni was born. The couple had eight children, and their circus grew quickly, soon performing under a medium-size big top. It became so popular, apparently, that the King of Italy, Victor Emmanuel III, awarded Circo Togni the title of Circo Nazionale in 1919.
  
In the 1950's and 1960's, Adi Enders was considered one of the world’s finest jockeys. He and his brother Jakob performed for many years their jockey act as Gebrüder Enders (The Enders Brothers), or sometimes as Enders Reitertruppe. (When they toured in 1956 with CCircus Scott-Williams, they were billed as ''Williams Reitertruppe''.) They had various partners over the years, among whom Carla Barlay (who married François Bronett, later Director of Cirkus Scott) and Günther Gebel. For a long time, they also had for partner Claus Lehnert, who would later become Circus Krone’s operations manager.... ([[Adi Enders|more...]])
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Aristide's succession was assured by three of his sons, Ercole (1894-1958), Ugo (1897-1981), and Ferdinando (1900-1990). The circus alternated summer seasons under the big top with winter engagements in some of the most beautiful theatres of Italy. For several years, they toured Sicily and Greece. In the 1930s, the Dopolavoro Fascista (the entertainment office of the Fascist government) supported the Circo Nazional Togni, which it considered a major artistic propaganda tool.
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The circus began to travel with a menagerie, which included tigers, lions, bears, elephants, and an important collection of horses. Ferdinando became a fine horse trainer and presented beautiful "liberty" horse acts; Ercole was the house clown and a good tumbler; Ugo was a perch-pole acrobat, aerialist, and animal trainer. There were also about twenty talented performers among their daughters and sons, and the company included members of other famous Italian circus families, such as Miletti, Jarz, and Casartelli.
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The third Togni generation created the Tognis's three principal signature acts: pyramids on horseback, "jockey," and flying trapeze. By the late 1940s, Darix Togni (Ercole's son, 1922-1976) became, with his lion act, the star of Circo Nazionale Togni. In that act, Darix began to develop his legendary gladiator character. Circo Togni's large, round cupola allowed the presentation of the Tognis's spectacular cross-flying trapeze act, which had no less than two catchers and nine flyers. Among those, Cesare Togni (Ugo's son) accomplished a double "casse-cou" (front somersault) to the catcher, with a return to the bar with a triple pirouette.
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Although it survived and performed safely during WWII, the Circo Nazionale Togni was devastated by a fire in 1951. Ercole, Ugo, and Ferdinando decided that it was time to split their ever-growing family within three separate circuses.... ([[The Togni Family|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
 +
* [[Richiardi Jr.]], magician
 +
* [[Astley's Amphitheatre]], circus
 
* [[Virginie Kenebel]], equestrienne
 
* [[Virginie Kenebel]], equestrienne
 
* [[Chongqing_Acrobatic_Troupe|Chongqing Acrobatic Troupe]], History
 
* [[Chongqing_Acrobatic_Troupe|Chongqing Acrobatic Troupe]], History
 
* [[Cirkus_Verdensteater_(Oslo)|Cirkus Verdensteater]], Oslo Circus Building
 
* [[Cirkus_Verdensteater_(Oslo)|Cirkus Verdensteater]], Oslo Circus Building
* [[Eddie Murillo]], Circus Agent and Producer
 
* [[The Biasini Family]], Circus Owners, Artists
 
  
 
==New Videos==
 
==New Videos==
  
* [[Saly_Bros_Video_(1987)|Saly Brothers]], acrobats (1987)
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* [[Fuentes-Gasca_Video_(2024)|The Flying Fuentes-Gasca]], flying trapeze (2024)
* [[Rudi_Enders_Video_(1973)|Rudi Enders]], elephant act (1973)
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* [[Diables_Blancs_Video_(1974)|Les Diables Blancs]], high wire (1974)
* [[Lan_Shi_Xiang_Video_(2024)|Lan Shi Xiang]], slack wire (2024)
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* [[Paddington_Video_(1974)|Eric Paddington]], dog act (1974)
* [[Alcaraz_Video_(1973)|Los Alcaraz]], comedy teeterboard/trampoline act (1973)
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* [[Lou_Jacobs_Video_(1987)|Lou Jacobs & Frosty Little]], clown reprise (1987)
* [[Bennett_Video_(1979)|Archie & Diana Bennett]], contortion act (1979)
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* [[Hermans_Video_(c.1980)|The Hermans]], perch-pole balancing (c.1980)
  
 
==New Oral Histories==
 
==New Oral Histories==

Latest revision as of 23:32, 2 December 2025


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
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Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

Darix Togni

THE TOGNI FAMILY

The dynasty was founded by Aristide Togni (1853-1924), a university student who, in the 1870s, ran away and joined the Circo Torinese, a circus company headed by Giovanni De Bianchi. Like many Italian circuses at the time, the Circo Torinese performed on stage, in theaters. De Bianchi had married Maria de la Garenne (a.k.a. de Lagarein), a Sinti gypsy, who was said to be the granddaughter of a French nobleman who had fled to Italy during the French revolution.

Togni married Giovanni's daughter, Teresa De Bianchi. Together, they created a circus company of their own—which, as legend has it, consisted of a single wagon and a monkey—and headed for the South of Italy. Circa 1880, they had acquired a small, one-pole big topThe circus tent. America: The main tent of a traveling circus, where the show is performed, as opposed to the other tops. (French, Russian: Chapiteau) that could house an audience of forty: the first Circo Togni was born. The couple had eight children, and their circus grew quickly, soon performing under a medium-size big topThe circus tent. America: The main tent of a traveling circus, where the show is performed, as opposed to the other tops. (French, Russian: Chapiteau). It became so popular, apparently, that the King of Italy, Victor Emmanuel III, awarded Circo Togni the title of Circo Nazionale in 1919.

Aristide's succession was assured by three of his sons, Ercole (1894-1958), Ugo (1897-1981), and Ferdinando (1900-1990). The circus alternated summer seasons under the big topThe circus tent. America: The main tent of a traveling circus, where the show is performed, as opposed to the other tops. (French, Russian: Chapiteau) with winter engagements in some of the most beautiful theatres of Italy. For several years, they toured Sicily and Greece. In the 1930s, the Dopolavoro Fascista (the entertainment office of the Fascist government) supported the Circo Nazional Togni, which it considered a major artistic propaganda tool.

The circus began to travel with a menagerie, which included tigers, lions, bears, elephants, and an important collection of horses. Ferdinando became a fine horse trainer and presented beautiful "liberty"Liberty act", "Horses at liberty": Unmounted horses presented from the center of the ring by an equestrian directing his charges with his voice, body movements, and signals from a ''chambrière'' (French), or long whip." horse acts; Ercole was the house clown and a good tumbler; Ugo was a perch-poleLong perch held vertically on a performer's shoulder or forehead, on the top of which an acrobat executes various balancing figures. acrobat, aerialistAny acrobat working above the ring on an aerial equipment such as trapeze, Roman Rings, Spanish web, etc., and animal trainer. There were also about twenty talented performers among their daughters and sons, and the company included members of other famous Italian circus families, such as Miletti, Jarz, and Casartelli.

The third Togni generation created the Tognis's three principal signature acts: pyramids on horseback, "jockeyClassic equestrian act in which the participants ride standing in various attitudes on a galoping horse, perform various jumps while on the horse, and from the ground to the horse, and perform classic horse-vaulting exercises.," and flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze). By the late 1940s, Darix Togni (Ercole's son, 1922-1976) became, with his lion act, the star of Circo Nazionale Togni. In that act, Darix began to develop his legendary gladiator character. Circo Togni's large, round cupola allowed the presentation of the Tognis's spectacular cross-flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze) act, which had no less than two catchers and nine flyers. Among those, Cesare Togni (Ugo's son) accomplished a double "casse-cou(French) A front, or forward, somersault." (front somersault) to the catcherIn an acrobatic or a flying act, the person whose role is to catch acrobats that have been propelled in the air., with a return to the bar with a triple pirouette(French) A full rotation of the body in the vertical axle. Double pirouette: two rotations, etc..

Although it survived and performed safely during WWII, the Circo Nazionale Togni was devastated by a fire in 1951. Ercole, Ugo, and Ferdinando decided that it was time to split their ever-growing family within three separate circuses.... (more...)

New Essays and Biographies

New Videos

  • The Flying Fuentes-Gasca, flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze) (2024)
  • Les Diables Blancs, high wireA tight, heavy metallic cable placed high above the ground, on which wire walkers do crossings and various acrobatic exercises. Not to be confused with a tight wire. (1974)
  • Eric Paddington, dog act (1974)
  • Lou Jacobs & Frosty Little, clown reprise(French) Short piece performed by clowns between acts during prop changes or equipment rigging. (See also: Carpet Clown) (1987)
  • The Hermans, perch-poleLong perch held vertically on a performer's shoulder or forehead, on the top of which an acrobat executes various balancing figures. balancing (c.1980)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator