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==In The Spotlight==
 
==In The Spotlight==
  
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===THE INDIAN CIRCUS===
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===THE ARAGON FAMILY===
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[[File:Rambo_Circus_Poster_(2014).jpg|right|320px]]
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[[File:Pompoff_Thedy_Emilio_Zampabollos.jpeg|right|400px]]
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The circus tradition in India dates back to the late nineteenth century—although India has of course a much more ancient tradition of traveling entertainers, comparable and parallel to those of Asia and Europe, and who often cross-pollinated with them. But the first Indian circus, according to the definition of the art form created by Philip Astley in 1770, didn’t appear until 1880.
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The Aragón family is one of Europe’s most prolific clown dynasties. A Spanish family with French circus ancestry, it has produced five generations of funnymen, some of whom have become major circus stars in Spain as well as abroad: Pompoff y Thedy, arguably the greatest Spanish clown duet of their generation, which morphed into The Pompoff Thedy Family with the third and fourth generations and have enjoyed an outstanding international career; and Gaby, Fofó y Miliki, from the fourth generation, and their children of the fifth generation, who became major stars on Spanish television.
  
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Its creator was Vishnupant Chatre, a riding master who doubled as a singing teacher. Chatre was born in the village of Ankakhop (now part of the city of Sangli), in the province of Maharashtra, southeast of Bombay (the present Mumbai). Chatre was in charge of the stables of the Rajah of Kurduwadi, where he occasionally performed "feats of horsemanship"—in the tradition of old English riding masters such as Philip Astley.
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The founder of the dynasty, Gabriel Aragón Gomez, was a former seminarian who had “run away and joined the circus,” and eventually became a clown under the name of Pepino. Gabriel married the equestrienne Virginie Foureaux (?-1930), daughter of the equestrian Jean-Philippe Foureaux, who came from one of France’s oldest circus dynasties: the Grand Cirque Foureaux had been established by Jacques Foureaux in 1805, and her family had been playing the fairgrounds long before the modern circus was created by Philip Astley in 1770. Gabriel and Virginie had fifteen children—and four sons among them. Little has been recorded of Arturo, the elder, who was probably significantly older than his more famous brothers: Emilio (later known as Emig—?-1946), Teodoro (later known as Thedy—1885-1974), and José-María (later known as Pompoff—1886-1970).
  
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As legend has it, Chatre and the Rajah went to see a performance of the Royal Italian Circus of Giuseppe Chiarini in Bombay. The peripatetic Italian director (whose company was generally based in North America) was on one of its many world tours, and visited Bombay for the first time in 1774. Chiarini was a remarkable equestrian, and Chatre was duly impressed by his performance, and also by his show. During a conversation with Chatre and the Rajah, Chiarini bluntly stated that India was not ready to have a circus of its own, and that it would take at least ten years before it could happen; Chatre was piqued.
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At the end of the nineteenth century, Gabriel Aragón created a successful clown duet with his elder son Arturo. As Pepino y Tonino (Arturo’s stage name), they acquired a strong reputation in Spain and all over Europe. Gabriel’s other sons participated in their father’s act as they grew up (the act was sometimes billed as the Aragón Family), but in 1909, José-María and Teodoro decided to take their independence and create a clown act of their own. They flopped: At twenty-four and twenty-two respectively, they probably still lacked the maturity necessary to carry a comedy act by themselves—especially in a country that appreciated good clowning, and where great clowns were aplenty!... ([[The Aragón Family|more...]])
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Thus Vishnupant Chatre decided to organize his own circus, of which he would be the star equestrian, and his wife would become a trapeze artist and an animal trainer. He probably used some of his pupils in the equestrian department as well. The first performance of Chatre’s Great Indian Circus was held on March 20, 1880 in the presence of a selected audience—among which was the Rajah of Kurduwadi, who may have helped him in starting his venture.
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Following the model of Chiarini, Chatre’s Great Indian Circus went on to travel extensively, first in the vast regions of North India, then further south, to the large east-coast city of Madras (today’s Chennai), and down to the Island of Ceylon (today’s Sri Lanka). In 1884, Chatre embarked in a tour of Southeast Asia, and, according to Indian circus lore, he then crossed the ocean to conquer the United States. But here, Chatre had badly overestimated his powers: He was indeed unable to measure up to the giant American circuses, neither in size nor in quality, and he returned to India in defeat. However, no record is known of Chatre's performing in the United States.
... ([[The Indian Circus|more...]])
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==New Essays and Biographies==
 
==New Essays and Biographies==
  
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* [[Alexis Gruss, Jr/fr|Alexis Gruss, Jr]] (version française)
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* [[Cirque_d'Hiver/fr|Le Cirque d'Hiver]] (Version française)
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* [[Virginie Kenebel/fr|Virginie Kenebel]] (Version française)
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* [[Cirque Bureau]], circus (English/Français)
 
* [[Richiardi Jr.]], magician
 
* [[Richiardi Jr.]], magician
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* [[Astley's Amphitheatre]], circus
 
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* [[Virginie Kenebel]], equestrienne
 
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* [[Chongqing_Acrobatic_Troupe|Chongqing Acrobatic Troupe]], History
 
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* [[Cirkus_Verdensteater_(Oslo)|Cirkus Verdensteater]], Oslo Circus Building
 
  
 
==New Videos==
 
==New Videos==
  
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* [[Burger_Sisters_Video_(1980)|The Burger Sisters]], trapeze act (1980)
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* [[Dorning_Cow_Video_(1978)|Günter Dorning]], trained cows (1978)
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* [[Bellei_Video_(1975)|Bellei Troupe]], acrobats on camels (1975)
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* [[Kims_Video_(1963)|The Kims]], comedy acrobatics (1963)
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* [[Rudat_Video_(1974)|Helmut & Irmgard Rudat]], liberty act (1974)
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* [[Kolfe_Video_(2026)|Kolfe Troupe]], Risley/teeterboard act (2026)
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* [[Florees_Video_(2024)|Sarah Florees]], aerial chandelier (2024)
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* [[Koziaks_Spanish_Video_(1987)|The Koziaks]], Russian barre (1987)
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* [[Viktor_Kee_Video_(2024)|Viktor Kee]], juggler (2024)
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* [[Segura_Video_(1980)|The Segura Family]], trampoline & Risley combination (1980)
  
 
==New Oral Histories==
 
==New Oral Histories==

Latest revision as of 06:29, 2 March 2026


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Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

THE ARAGON FAMILY

Pompoff Thedy Emilio Zampabollos.jpeg

The Aragón family is one of Europe’s most prolific clown dynasties. A Spanish family with French circus ancestry, it has produced five generations of funnymen, some of whom have become major circus stars in Spain as well as abroad: Pompoff y Thedy, arguably the greatest Spanish clown duet of their generation, which morphed into The Pompoff Thedy Family with the third and fourth generations and have enjoyed an outstanding international career; and Gaby, Fofó y Miliki, from the fourth generation, and their children of the fifth generation, who became major stars on Spanish television.

The founder of the dynasty, Gabriel Aragón Gomez, was a former seminarian who had “run away and joined the circus,” and eventually became a clown under the name of Pepino. Gabriel married the equestrienneA female equestrian, or horse trainer, horse presenter, or acrobat on horseback. Virginie Foureaux (?-1930), daughter of the equestrian Jean-Philippe Foureaux, who came from one of France’s oldest circus dynasties: the Grand Cirque Foureaux had been established by Jacques Foureaux in 1805, and her family had been playing the fairgrounds long before the modern circus was created by Philip Astley in 1770. Gabriel and Virginie had fifteen children—and four sons among them. Little has been recorded of Arturo, the elder, who was probably significantly older than his more famous brothers: Emilio (later known as Emig—?-1946), Teodoro (later known as Thedy—1885-1974), and José-María (later known as Pompoff—1886-1970).

At the end of the nineteenth century, Gabriel Aragón created a successful clown duet with his elder son Arturo. As Pepino y Tonino (Arturo’s stage name), they acquired a strong reputation in Spain and all over Europe. Gabriel’s other sons participated in their father’s act as they grew up (the act was sometimes billed as the Aragón Family), but in 1909, José-María and Teodoro decided to take their independence and create a clown act of their own. They flopped: At twenty-four and twenty-two respectively, they probably still lacked the maturity necessary to carry a comedy act by themselves—especially in a country that appreciated good clowning, and where great clowns were aplenty!... (more...)

New Essays and Biographies

New Videos

  • Günter Dorning, trained cows (1978)
  • The Kims, comedy acrobatics (1963)
  • Kolfe Troupe, Risley/teeterboardA seesaw made of wood, or fiberglass poles tied together, which is used to propel acrobats in the air. act (2026)
  • The Koziaks, Russian barreFlexible pole, held horizontally by two catchers, or under-standers, with which they propelled a flyer in acrobatic figures from and to the pole. (1987)
  • The Segura Family, trampoline & Risley combination (1980)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator
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