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==In The Spotlight==
 
==In The Spotlight==
  
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===CIRQUE BUREAU===
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===VALENTIN GNEUSHEV===
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[[File:Bureau_Frères_Program.jpg|right|200px]]
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[[File:Valentin_Gneushev.jpg|300px|right]]
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From the late nineteenth century to the early 1950s, the Cirque Bureau was one of France's most popular circuses. Over its long existence, it had built in the French provinces a faithful audience that appreciated the constant high quality of its offerings and its simplicity, devoid of the advertising hype of its competitors. Wherever it went, its visits were expected and anticipated, practically at the same time each year. Sadly, this steady routine was disturbed by World War II and the Nazi occupation of France—and Jules Glasner, its last director, had a hard time trying to restore its place in the new economic era that followed the war: The Cirque Bureau folded its big top in 1953, at the end of what was advertised as its "99th season."
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Born on December 20, 1951, in Nizhny Tagil, in Sverdlovsk Oblast, Russia, (close to the boundary between Asia and Europe), Valentin Aleksandrovich Gneushev (1951-2026) was one of the most influential circus directors-choreographers of the second half of the twentieth century, and the creator of some of the most innovative and celebrated circus acts of the 1990s.
  
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Its founder was Jean Bureau (1836-1899), born on May 31, 1836, in Villeréal, a small village of the Lot et Garonne department that has kept its medieval architecture and is classified today as one of the "most beautiful villages of France." His father, Jean, Sr. (1809-1844), a carpenter and the son of a farmer, and his mother, Françoise (née Arché, 1815-1880), had two other children: Cosme (1838-1885) and Jeanne (1844-1908). Jean Bureau was just eight years old when he lost his father, and to alleviate the burden on his family, he was soon placed in apprenticeship to a blacksmith.
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As the “new circus” movement was drastically changing the traditional imagery of the circus (roughly between 1975 and 1995), Gneushev became the ultimate trendsetter, completely renewing the language of the ring. A master at discovering untapped talents in the disintegrating Soviet circus world, then creating and designing original acts for them, he eventually influenced the style of many young circus artists and companies, including Cirque du Soleil.
  
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In 1853, a small traveling equestrian circus came to Villeréal. It was a modest affair owned by William Tagg (1822-1884), and his wife Elizabeth, née Woodley, a couple of British traveling performers who had long settled in France. The Taggs needed a blacksmith to reshoe their horses, and his boss sent seventeen-year-old Jean Bureau, a horse lover, to do the job. Jean was immediately fascinated by these people whose horizon seemed limitless; he asked William Tagg if he could join the company as a groom—and the Taggs, whose human resources were probably wanting, left Villeréal with Jean in tow.  
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Valentin Gneushev fell in love with the circus as a teenager. He was fourteen when he began to perform in 1965 in a local Amateur Circus (the Russian equivalent of our Youth Circuses, albeit at a much higher artistic and technical level than in the West). He eventually decided to leave the Sverdlovsk Province and the industrial fumes of Nizhny Tagil (birthplace of the first Russian steam locomotive) and headed for Moscow, where he was accepted in the State College for Circus and Variety Arts (the legendary "Moscow Circus School"). There, he specialized as a clown.
  
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Thus, Jean Bureau had started his circus career. Young, athletic, and interested in horsemanship, he trained in trick-riding and quickly became a proficient bareback rider. Having become a full-fledged performer in the company, he began to pay attention to the young Anna Tagg (1840-1913), the director's daughter, who was born in Paris and was four years his junior. Apparently, the feeling was mutual—to the extent that, in 1862, Anna gave birth to their first child, Françoise Elizabeth (known as Elizabeth, b.1862). It was time indeed to legalize their union: The young couple was married on March 6, 1863, in Cenon, in the outskirts of Bordeaux. By then, Jean was twenty-seven and Anna, twenty-three.... ([[Cirque Bureau|more...]])
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In Moscow, Gneushev studied under Roman Viktiuk, Firs Zemtsev, and especially Serguei Kashtelyan, who had a lasting influence on his work. He graduated in 1978 and formed a short-lived clown trio with two partners, in which he revealed a special aptitude for pantomime, as well as a need to distance himself from the conventional circus clowning of the period.
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An eager student of the arts (literature, history, painting, music), Valentin developed a remarkable artistic culture, and an aesthetic vision rooted in classic as well as contemporary art, and widely open to new influences—a far cry from the prevalent rhetoric of the Soviet artistic scene.... ([[Valentin Gneushev|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
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* [[Alexis Gruss, Jr/fr|Alexis Gruss, Jr]] (version française)
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* [[Cirque_d'Hiver/fr|Le Cirque d'Hiver]] (Version française)
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* [[Virginie Kenebel/fr|Virginie Kenebel]] (Version française)
 
* [[Cirque Bureau]], circus (English/Français)
 
* [[Cirque Bureau]], circus (English/Français)
 
* [[Richiardi Jr.]], magician
 
* [[Richiardi Jr.]], magician
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* [[Astley's Amphitheatre]], circus
 
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* [[Virginie Kenebel]], equestrienne
 
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* [[Cirkus_Verdensteater_(Oslo)|Cirkus Verdensteater]], Oslo Circus Building
 
  
 
==New Videos==
 
==New Videos==
  
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* [[Bagdasaryan_Video_(2025)|Artur & Karina Bagdsaryan]], tiger act (2025)
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* [[Bondarev_Video_(1985)|Bondarev Troupe]], teeterboard (1985)
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* [[Karoly_Donnert_Video_(2000)|Karoly Donnert]], tiger act (2000)
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* [[Luna_Video_(2025)|Duo Luna]], aerial hoop (2025)
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* [[Fuentes_Gasca_Video_(2026)|The Flying Fuentes Gasca]], flying trapeze (2026)
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* [[Tulga_Video_(2025)|Tulga]], stromgman (2025)
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* [[Makovskiy_Rotman_Video_(1971)|Makovskiy & Rotman]], clown entrée (1971)
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* [[China_Troupe_-_Bicycle_Video_(2025)|China Acrobatic Troupe]], bicycle act (2025)
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* [[Rokashkovs_Video_(2026)|Sergei & Olga Rokashkov]], horizontal bars (2026)
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* [[Dorning_Cow_Video_(1978)|Günter Dorning]], trained cows (1978)
  
 
==New Oral Histories==
 
==New Oral Histories==

Latest revision as of 20:24, 18 March 2026


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Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

VALENTIN GNEUSHEV

Valentin Gneushev.jpg

Born on December 20, 1951, in Nizhny Tagil, in Sverdlovsk Oblast, Russia, (close to the boundary between Asia and Europe), Valentin Aleksandrovich Gneushev (1951-2026) was one of the most influential circus directors-choreographers of the second half of the twentieth century, and the creator of some of the most innovative and celebrated circus acts of the 1990s.

As the “new circus” movement was drastically changing the traditional imagery of the circus (roughly between 1975 and 1995), Gneushev became the ultimate trendsetter, completely renewing the language of the ring. A master at discovering untapped talents in the disintegrating Soviet circus world, then creating and designing original acts for them, he eventually influenced the style of many young circus artists and companies, including Cirque du Soleil.

Valentin Gneushev fell in love with the circus as a teenager. He was fourteen when he began to perform in 1965 in a local Amateur Circus (the Russian equivalent of our Youth Circuses, albeit at a much higher artistic and technical level than in the West). He eventually decided to leave the Sverdlovsk Province and the industrial fumes of Nizhny Tagil (birthplace of the first Russian steam locomotive) and headed for Moscow, where he was accepted in the State College for Circus and Variety Arts (the legendary "Moscow Circus School"). There, he specialized as a clownGeneric term for all clowns and augustes. '''Specific:''' In Europe, the elegant, whiteface character who plays the role of the straight man to the Auguste in a clown team..

In Moscow, Gneushev studied under Roman Viktiuk, Firs Zemtsev, and especially Serguei Kashtelyan, who had a lasting influence on his work. He graduated in 1978 and formed a short-lived clown trio with two partners, in which he revealed a special aptitude for pantomimeA circus play, not necessarily mute, with a dramatic story-line (a regular feature in 18th and 19th century circus performances)., as well as a need to distance himself from the conventional circus clowning of the period.

An eager student of the arts (literature, history, painting, music), Valentin developed a remarkable artistic culture, and an aesthetic vision rooted in classic as well as contemporary art, and widely open to new influences—a far cry from the prevalent rhetoric of the Soviet artistic scene.... (more...)

New Essays and Biographies

New Videos

  • Bondarev Troupe, teeterboardA seesaw made of wood, or fiberglass poles tied together, which is used to propel acrobats in the air. (1985)
  • Duo Luna, aerial hoopA heavy metallic hoop used as a variance of trapeze, usually with contortion moves. (Also called Cerceau.) (2025)
  • Tulga, stromgman (2025)
  • China Acrobatic Troupe, bicycle act (2025)
  • Günter Dorning, trained cows (1978)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator
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