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==In The Spotlight==
 
==In The Spotlight==
  
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===DAVID BALDING===
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===THE ARATAS===
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[[File:Balding_and_Flora_(2000).jpg|right|300px]]
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[[File:Anna_and_Billy_Arata.jpg|right|300px]]
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Ivor David Balding (1939-2014) was born March 3, 1939 in Manhattan, and grew up in a horse farm in Camden, South Carolina. His father was the famous British polo player Ivor G. Balding (1909-2005), who, along with his brothers Barney and Gerald, played polo in the United States throughout the 1930's at the Meadow Brook Club on Long Island, then the national center of the sport. Ivor G. Balding subsequently went on to work at the C.V. Whitney Farm in Old Westbury, New York, before becoming manager of the Whitney Farm in Lexington, where he raised and trained racing-horses.
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The Aratas performed a truly original and outstanding tight wire act, which was very successful in Europe in the 1960s and early 1970s. The act originated in 1957 as a trio, with Anna Arata, and her younger brothers, Billy and Vittorio. At that time, Anna performed an amazing wire crossing with her brother Billy head-balancing on her head. Following Anna’s retiring from the act in 1962, Vittorio and Billy continued to work as a duet (and continued to perform together Anna’s original head-to-head balancing trick).
  
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In Britain, Ivor David Balding’s grandfather had sold horses to various circuses in his time, and David himself was introduced to the circus and theater worlds through his father’s connections. He began his show business career as stage manager at the Westport Country Playhouse for legendary Broadway actress Eva Le Gallienne (1899-1991). Le Gallienne, who had performed in her youth as an equestrienne at the illustrious Cirque Medrano in Paris, gave David an introduction to the Fratellini family, who helped him land a job as spotlight operator at the famous Parisian circus. There, David had an invaluable initiation into the circus world.
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The Aratas came from a large Italian circus family that originated in the late nineteenth century. Its founder, Amedeo Arata (c.1872-1947), was a strongman from Massa Carrara who worked on the fairgrounds. Amedeo married Claudia Rizzoli, a Bolognese tight-wire dancer, and together they created the Circo Tea Arata, which remained active until 1943. Amedeo and Claudia had five children: Alfredo, Elena, Fanny, Violetta, and Guido. Guido (1911-?) married Cleofe Denji, who came from another Italian circus family, and together they had three children, Anna (b. January 5, 1940), Vittorio (b. January 26, 1942), and Francesco, known as Billy (February 23, 1946- April 25, 2004).
  
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Back to the U.S., David Balding worked for Joe Papp at the New York Shakespeare Festival, and then founded the New Theatre in New York. During his tenure there, he produced 21 plays, including ''The Knack'', ''The Ginger Man'', ''Scuba Duba'', ''Steambath'', ''The Man in the Glass Booth'', and ''Lenny''. His productions were nominated for two Tony Awards and won five Obie Awards.
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Circo Tea Arata was not prosperous enough to support such a large family, especially after the siblings had reached adulthood. Guido, his wife and their children left the family cocoon and, in the mid-1950s, went on to work with Circus Medrano-Swoboda in Austria, where Guido presented a perch-pole act with his daughter Anna. It was the final years of the famous Austrian circus (before it went bankrupt and became an Italian circus), and the Aratas returned to their country, where they worked for a time with Circo Gerardi. Meanwhile, Guido began to put together a low-wire act for his children.
  
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The vagaries of theater production, however, forced him to change course, and David went to work for CBS Sports in Europe, where his attraction to the circus only grew bigger. This led him to conceive and co-produce the ''Circus World Championships'': Held annually in London from 1976 to 1986, this circus competition was broadcast on the BBC (with network specials for both CBS and NBC) and became quite an event in the European circus world. While in England, Balding also managed Jimmy Chipperfield's Circus World.... ([[Ivor David Balding|more...]])
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From its inception, the new act was very impressive indeed, with such tricks as Anna’s and Billy’s head-to-head crossing, and Vittorio’s one-arm stand with Anna’s and Billy’s head-stands, together on the same wire. In 1957, Anna, Vittorio, and Billy debuted their act at one of Europe’s most prestigious circuses, Cirkus Schumann, where Anna and her father also presented their perch-pole act. In the winter of 1958-1959, both acts were featured in another top European circus, Bertram Mills Circus at Olympia, in London. It was the beginning of a long string of engagements in Europe’s premier circuses and variety theaters..... ([[The Aratas|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==

Latest revision as of 18:25, 2 August 2026


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
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Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

THE ARATAS

Anna and Billy Arata.jpg

The Aratas performed a truly original and outstanding tight wireA tight, light metallic cable, placed between two platforms not very far from the ground, on which a wire dancer perform dance steps, and acrobatic exercises such as somersaults. (Also: Low Wire) act, which was very successful in Europe in the 1960s and early 1970s. The act originated in 1957 as a trio, with Anna Arata, and her younger brothers, Billy and Vittorio. At that time, Anna performed an amazing wire crossing with her brother Billy head-balancing on her head. Following Anna’s retiring from the act in 1962, Vittorio and Billy continued to work as a duet (and continued to perform together Anna’s original head-to-head balancing trickAny specific exercise in a circus act.).

The Aratas came from a large Italian circus family that originated in the late nineteenth century. Its founder, Amedeo Arata (c.1872-1947), was a strongman from Massa Carrara who worked on the fairgrounds. Amedeo married Claudia Rizzoli, a Bolognese tight-wire dancer, and together they created the Circo Tea Arata, which remained active until 1943. Amedeo and Claudia had five children: Alfredo, Elena, Fanny, Violetta, and Guido. Guido (1911-?) married Cleofe Denji, who came from another Italian circus family, and together they had three children, Anna (b. January 5, 1940), Vittorio (b. January 26, 1942), and Francesco, known as Billy (February 23, 1946- April 25, 2004).

Circo Tea Arata was not prosperous enough to support such a large family, especially after the siblings had reached adulthood. Guido, his wife and their children left the family cocoon and, in the mid-1950s, went on to work with Circus Medrano-Swoboda in Austria, where Guido presented a perch-poleLong perch held vertically on a performer's shoulder or forehead, on the top of which an acrobat executes various balancing figures. act with his daughter Anna. It was the final years of the famous Austrian circus (before it went bankrupt and became an Italian circus), and the Aratas returned to their country, where they worked for a time with Circo Gerardi. Meanwhile, Guido began to put together a low-wire act for his children.

From its inception, the new act was very impressive indeed, with such tricks as Anna’s and Billy’s head-to-head crossing, and Vittorio’s one-arm stand with Anna’s and Billy’s head-stands, together on the same wire. In 1957, Anna, Vittorio, and Billy debuted their act at one of Europe’s most prestigious circuses, Cirkus Schumann, where Anna and her father also presented their perch-poleLong perch held vertically on a performer's shoulder or forehead, on the top of which an acrobat executes various balancing figures. act. In the winter of 1958-1959, both acts were featured in another top European circus, Bertram Mills Circus at Olympia, in London. It was the beginning of a long string of engagements in Europe’s premier circuses and variety theaters..... (more...)

New Essays and Biographies

New Videos

  • Yahav Adar, roue Cyr(French) A large metallic hoop used like a German Wheel, developed by the Canadian acrobat Daniel Cyr. (2026)
  • The Flying Cavarettas, flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze) (c.1980)
  • Stepan Isaakyan, mixed animal act (1984)
  • Quincy & Rubel, rola-bolaA board balancing on one or more cylinders piled on each other, and on which an acrobat stands performing juggling or acrobatic tricks. (2026)
  • Arnautov Troupe, upright cradlePiece of apparatus (generally aerial) composed of two horizontal parallel bars in which a catcher locks his legs to be in position of catching a flyer. (Variant: Korean Cradle.) flying actAny aerial act in which an acrobat is propelled in the air from one point to another. (1984)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator
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