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==In The Spotlight==
 
==In The Spotlight==
  
===THE ARATAS===
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===LILLY YOKOI===
[[File:Anna_and_Billy_Arata.jpg|right|300px]]
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[[File:Lilly_Yokoi_on_Bicycle.jpg|right|300px]]
The Aratas performed a truly original and outstanding tight wire act, which was very successful in Europe in the 1960s and early 1970s. The act originated in 1957 as a trio, with Anna Arata, and her younger brothers, Billy and Vittorio. At that time, Anna performed an amazing wire crossing with her brother Billy head-balancing on her head. Following Anna’s retiring from the act in 1962, Vittorio and Billy continued to work as a duet (and continued to perform together Anna’s original head-to-head balancing trick).
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In the 1960s and 1970s, Lilly Yokoi (1929-2026) was considered the world's greatest acrobat on bicycle. Her act was indeed technically outstanding, and the ease with which she performed it, her grace, and her unmatched elegance have survived the test of time. Even today, her act can be regarded as the greatest solo bicycle act that ever was—and it is universally acknowledged as such by all those who were lucky enough to see her perform.
  
The Aratas came from a large Italian circus family that originated in the late nineteenth century. Its founder, Amedeo Arata (c.1872-1947), was a strongman from Massa Carrara who worked on the fairgrounds. Amedeo married Claudia Rizzoli, a Bolognese tight-wire dancer, and together they created the Circo Tea Arata, which remained active until 1943. Amedeo and Claudia had five children: Alfredo, Elena, Fanny, Violetta, and Guido. Guido (1911-?) married Cleofe Denji, who came from another Italian circus family, and together they had three children, Anna (b. January 5, 1940), Vittorio (b. January 26, 1942), and Francesco, known as Billy (February 23, 1946- April 25, 2004).
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Although of Japanese descent, she was born in New York City in 1929, into a family of circus performers. Her parents, Eizo and Rui Yokoi, were acrobats on unicycle and bicycle who went to work in the United States in the 1920s. They had trained their four daughters, Mary, Lilly, Olga (Akimo), and Kimiko (Kimi, 1939-1990), and their son, George, in their craft.
  
Circo Tea Arata was not prosperous enough to support such a large family, especially after the siblings had reached adulthood. Guido, his wife and their children left the family cocoon and, in the mid-1950s, went on to work with Circus Medrano-Swoboda in Austria, where Guido presented a perch-pole act with his daughter Anna. It was the final years of the famous Austrian circus (before it went bankrupt and became an Italian circus), and the Aratas returned to their country, where they worked for a time with Circo Gerardi. Meanwhile, Guido began to put together a low-wire act for his children.
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The four girls reached a remarkable technical level in bicycle acrobatics, doing tricks rarely or never seen in their time with an uncanny facility. The children worked together with their parents in a bicycle and unicycle act billed as The Yokoi Family. Then, the act was featuring only three of the the four Yokoi Sisters, Mary, Olga, and Lilly. The Trio Yokoi, as they were billed, appeared on CBS's ''Toast of The Town'' (the forerunner of ''The Talk of the Town'', which became ''The Ed Sullivan Show'') in 1954.
  
From its inception, the new act was very impressive indeed, with such tricks as Anna’s and Billy’s head-to-head crossing, and Vittorio’s one-arm stand with Anna’s and Billy’s head-stands, together on the same wire. In 1957, Anna, Vittorio, and Billy debuted their act at one of Europe’s most prestigious circuses, Cirkus Schumann, where Anna and her father also presented their perch-pole act. In the winter of 1958-1959, both acts were featured in another top European circus, Bertram Mills Circus at Olympia, in London. It was the beginning of a long string of engagements in Europe’s premier circuses and variety theaters..... ([[The Aratas|more...]])
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Mary was the original star of the family, but Lilly quickly caught up with her: Pretty and naturally elegant, she had a remarkable stage presence and charisma. During an engagement, she met the Swedish hand-balancer Rolando, who became her husband. She then left the family act (she was replaced by Kimi) and began working solo in 1956. (In time, Kimi would embark into a successful solo career of her own, and George would complete the trio.) That very year (1956), Lilly made her first television appearance as a soloist on ''The Ed Sullivan Show'', which certainly helped boost her budding career.
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In the United States, Lilly worked exclusively in variety—from the enormous Radio City Music-Hall to Lou Walters’ intimate Latin Quarter on Times Square in New York, to tours with the Harlem Globe Trotters—but word of her exceptional talent spread out, and she was soon in high demand in Europe. There, she appeared in major circuses, such as Bertram Mills Circus at Olympia in London, Cirkus Berny in Norway, Cirkus Schumann in Denmark and Sweden, Circus Knie in Switzerland (in 1959 and 1975), among others. In variety, she was featured in some of the most prestigious venues, which included the Hansa Theater in Hamburg, the London Palladium, and the Lido in Paris—with which show she had previously appeared at the Stardust Hotel and Casino in Las Vegas..... ([[Lilly Yokoi|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==

Latest revision as of 22:17, 3 August 2026


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Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

LILLY YOKOI

Lilly Yokoi on Bicycle.jpg

In the 1960s and 1970s, Lilly Yokoi (1929-2026) was considered the world's greatest acrobat on bicycle. Her act was indeed technically outstanding, and the ease with which she performed it, her grace, and her unmatched elegance have survived the test of time. Even today, her act can be regarded as the greatest solo bicycle act that ever was—and it is universally acknowledged as such by all those who were lucky enough to see her perform.

Although of Japanese descent, she was born in New York City in 1929, into a family of circus performers. Her parents, Eizo and Rui Yokoi, were acrobats on unicycle and bicycle who went to work in the United States in the 1920s. They had trained their four daughters, Mary, Lilly, Olga (Akimo), and Kimiko (Kimi, 1939-1990), and their son, George, in their craft.

The four girls reached a remarkable technical level in bicycle acrobatics, doing tricks rarely or never seen in their time with an uncanny facility. The children worked together with their parents in a bicycle and unicycle act billed as The Yokoi Family. Then, the act was featuring only three of the the four Yokoi Sisters, Mary, Olga, and Lilly. The Trio Yokoi, as they were billed, appeared on CBS's Toast of The Town (the forerunner of The Talk of the Town, which became The Ed Sullivan Show) in 1954.

Mary was the original star of the family, but Lilly quickly caught up with her: Pretty and naturally elegant, she had a remarkable stage presence and charisma. During an engagement, she met the Swedish hand-balancer Rolando, who became her husband. She then left the family act (she was replaced by Kimi) and began working solo in 1956. (In time, Kimi would embark into a successful solo career of her own, and George would complete the trio.) That very year (1956), Lilly made her first television appearance as a soloist on The Ed Sullivan Show, which certainly helped boost her budding career.

In the United States, Lilly worked exclusively in variety—from the enormous Radio City Music-Hall to Lou Walters’ intimate Latin Quarter on Times Square in New York, to tours with the Harlem Globe Trotters—but word of her exceptional talent spread out, and she was soon in high demand in Europe. There, she appeared in major circuses, such as Bertram Mills Circus at Olympia in London, Cirkus Berny in Norway, Cirkus Schumann in Denmark and Sweden, Circus Knie in Switzerland (in 1959 and 1975), among others. In variety, she was featured in some of the most prestigious venues, which included the Hansa Theater in Hamburg, the London Palladium, and the Lido in Paris—with which show she had previously appeared at the Stardust Hotel and Casino in Las Vegas..... (more...)

New Essays and Biographies

New Videos

  • Maria Andreeva & Egor Sukhorukov, corde lisse(French) A vertical rope used in aerial acts, either for the act itself, or to climb up to an apparatus. Called Spanish Web when covered with fabric. (2026)
  • Yahav Adar, roue Cyr(French) A large metallic hoop used like a German Wheel, developed by the Canadian acrobat Daniel Cyr. (2026)
  • The Flying Cavarettas, flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze) (c.1980)
  • Stepan Isaakyan, mixed animal act (1984)
  • Quincy & Rubel, rola-bolaA board balancing on one or more cylinders piled on each other, and on which an acrobat stands performing juggling or acrobatic tricks. (2026)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator