Difference between revisions of "Main Page"
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| − | <div style="font-size: | + | <br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ |
| − | <div style=" | + | ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/> |
| − | + | <div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, initially created as a project of the original, non-profit [[Big Apple Circus]]''.</div><br/> | |
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| + | ==In The Spotlight== | ||
| − | == | + | ===VALENTIN GNEUSHEV=== |
| + | [[File:Valentin_Gneushev.jpg|300px|right]] | ||
| + | Born on December 20, 1951, in Nizhny Tagil, in Sverdlovsk Oblast, Russia, (close to the boundary between Asia and Europe), Valentin Aleksandrovich Gneushev (1951-2026) was one of the most influential circus directors-choreographers of the second half of the twentieth century, and the creator of some of the most innovative and celebrated circus acts of the 1990s. | ||
| − | + | As the “new circus” movement was drastically changing the traditional imagery of the circus (roughly between 1975 and 1995), Gneushev became the ultimate trendsetter, completely renewing the language of the ring. A master at discovering untapped talents in the disintegrating Soviet circus world, then creating and designing original acts for them, he eventually influenced the style of many young circus artists and companies, including Cirque du Soleil. | |
| − | + | ||
| − | ==New Biographies== | + | Valentin Gneushev fell in love with the circus as a teenager. He was fourteen when he began to perform in 1965 in a local Amateur Circus (the Russian equivalent of our Youth Circuses, albeit at a much higher artistic and technical level than in the West). He eventually decided to leave the Sverdlovsk Province and the industrial fumes of Nizhny Tagil (birthplace of the first Russian steam locomotive) and headed for Moscow, where he was accepted in the State College for Circus and Variety Arts (the legendary "Moscow Circus School"). There, he specialized as a clown. |
| − | *[[ | + | |
| − | *[[ | + | In Moscow, Gneushev studied under Roman Viktiuk, Firs Zemtsev, and especially Serguei Kashtelyan, who had a lasting influence on his work. He graduated in 1978 and formed a short-lived clown trio with two partners, in which he revealed a special aptitude for pantomime, as well as a need to distance himself from the conventional circus clowning of the period. |
| − | *[[ | + | |
| − | *[[ | + | An eager student of the arts (literature, history, painting, music), Valentin developed a remarkable artistic culture, and an aesthetic vision rooted in classic as well as contemporary art, and widely open to new influences—a far cry from the prevalent rhetoric of the Soviet artistic scene.... ([[Valentin Gneushev|more...]]) |
| − | *[[ | + | |
| + | ==New Essays and Biographies== | ||
| + | |||
| + | * [[Carlos Guity]], acrobat | ||
| + | * [[James Clowney]], acrobat | ||
| + | * [[Émilien Bouglione]], equestrian, circus director | ||
| + | * [[Alexis Gruss, Jr/fr|Alexis Gruss, Jr]] (version française) | ||
| + | * [[Cirque_d'Hiver/fr|Le Cirque d'Hiver]] (Version française) | ||
==New Videos== | ==New Videos== | ||
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| − | + | * [[Statues_BAC_Video_(1994)|Melinda Merlier, Carlos Guity & James Clowney]], statue act (1994) | |
| − | *[[ | + | * [[Castors_Video_(c.1960)|Les Castors]], foot-juggling & Risley act (c.1960) |
| − | *[[ | + | * [[Smart_Video_(1981)|Yasmine Smart]], liberty act (1981) |
| − | *[[ | + | * [[Bondarev_Video_(1985)|Bondarev Troupe]], teeterboard (1985) |
| − | *[[ | + | * [[Luna_Video_(2025)|Duo Luna]], aerial hoop (2025) |
| + | |||
| + | ==New Oral Histories== | ||
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| + | * [[Dominique_Jando_Video_(2025)|Dominique Jando interview]] by the Circus Historical Society (2025) | ||
| + | * [[Evelyn_and_Andre_Video_(2015)|Evelyn & André Interview]] on Blikk TV (2015) | ||
| + | * [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977) | ||
| + | * [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000) | ||
| + | * [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018) | ||
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| + | ==Circopedia Books== | ||
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| + | * [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018) | ||
| − | ==A Message from the | + | ==A Message from the Founder== |
| − | + | ''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.'' | |
| − | :Dominique Jando | + | :'''Dominique Jando''' |
| + | :Founder and Curator | ||
Latest revision as of 22:47, 29 March 2026
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In The Spotlight
VALENTIN GNEUSHEV
Born on December 20, 1951, in Nizhny Tagil, in Sverdlovsk Oblast, Russia, (close to the boundary between Asia and Europe), Valentin Aleksandrovich Gneushev (1951-2026) was one of the most influential circus directors-choreographers of the second half of the twentieth century, and the creator of some of the most innovative and celebrated circus acts of the 1990s.
As the “new circus” movement was drastically changing the traditional imagery of the circus (roughly between 1975 and 1995), Gneushev became the ultimate trendsetter, completely renewing the language of the ring. A master at discovering untapped talents in the disintegrating Soviet circus world, then creating and designing original acts for them, he eventually influenced the style of many young circus artists and companies, including Cirque du Soleil.
Valentin Gneushev fell in love with the circus as a teenager. He was fourteen when he began to perform in 1965 in a local Amateur Circus (the Russian equivalent of our Youth Circuses, albeit at a much higher artistic and technical level than in the West). He eventually decided to leave the Sverdlovsk Province and the industrial fumes of Nizhny Tagil (birthplace of the first Russian steam locomotive) and headed for Moscow, where he was accepted in the State College for Circus and Variety Arts (the legendary "Moscow Circus School"). There, he specialized as a clownGeneric term for all clowns and augustes. '''Specific:''' In Europe, the elegant, whiteface character who plays the role of the straight man to the Auguste in a clown team..
In Moscow, Gneushev studied under Roman Viktiuk, Firs Zemtsev, and especially Serguei Kashtelyan, who had a lasting influence on his work. He graduated in 1978 and formed a short-lived clown trio with two partners, in which he revealed a special aptitude for pantomimeA circus play, not necessarily mute, with a dramatic story-line (a regular feature in 18th and 19th century circus performances)., as well as a need to distance himself from the conventional circus clowning of the period.
An eager student of the arts (literature, history, painting, music), Valentin developed a remarkable artistic culture, and an aesthetic vision rooted in classic as well as contemporary art, and widely open to new influences—a far cry from the prevalent rhetoric of the Soviet artistic scene.... (more...)
New Essays and Biographies
- Carlos Guity, acrobat
- James Clowney, acrobat
- Émilien Bouglione, equestrian, circus director
- Alexis Gruss, Jr (version française)
- Le Cirque d'Hiver (Version française)
New Videos
- Melinda Merlier, Carlos Guity & James Clowney, statue act (1994)
- Les Castors, foot-juggling & Risley actAct performed by Icarists, in which one acrobat, lying on his back, juggles another acrobat with his feet. (Named after Richard Risley Carlisle, who developed this type of act.) (c.1960)
- Yasmine Smart, liberty"Liberty act", "Horses at liberty": Unmounted horses presented from the center of the ring by an equestrian directing his charges with his voice, body movements, and signals from a ''chambrière'' (French), or long whip. act (1981)
- Bondarev Troupe, teeterboardA seesaw made of wood, or fiberglass poles tied together, which is used to propel acrobats in the air. (1985)
- Duo Luna, aerial hoopA heavy metallic hoop used as a variance of trapeze, usually with contortion moves. (Also called Cerceau.) (2025)
New Oral Histories
- Dominique Jando interview by the Circus Historical Society (2025)
- Evelyn & André Interview on Blikk TV (2015)
- For A Moment You Fly, The First Season of The Big Apple Circus (1977)
- Vladimir Durov Documentary on Russian Television (c.2000)
- Dolly Jacobs Interview at The Ringling (2018)
Circopedia Books
- Philip Astley & The Horsemen who invented the Circus, by Dominique Jando (2018)
A Message from the Founder
CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.
- Dominique Jando
- Founder and Curator
