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==In The Spotlight==
 
==In The Spotlight==
[[File:Darix_Togni_1963.jpg|right|thumb|320px|Darix Togni]]
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[[File:Rambo_Circus_Poster_(2014).jpg|right|320px]]
===THE TOGNI FAMILY===
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===THE INDIAN CIRCUS===
  
The Togni dynasty was founded by Aristide Togni (1853-1924), a university student who, in the 1870s, ran away and joined the Circo Torinese, a circus company  headed by Giovanni De Bianchi. Like many Italian circuses at the time, the Circo Torinese performed on stage, in theaters. De Bianchi had married Maria de la Garenne (a.k.a. de Lagarein), a Sinti gypsy, who was said to be the granddaughter of a French nobleman who had fled to Italy during the French revolution.  
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The circus tradition in India dates back to the late nineteenth century—although India has of course a much more ancient tradition of traveling entertainers, comparable and parallel to those of Asia and Europe, and who often cross-pollinated with them. But the first Indian circus, according to the definition of the art form created by Philip Astley in 1770, didn’t appear until 1880.
  
Togni married Giovanni's daughter, Teresa De Bianchi. Together, they created a circus company of their own—which, as legend has it, consisted of a single wagon and a monkey—and headed for the South of Italy. Circa 1880, they had acquired a small, one-pole big top that could house an audience of forty: the first Circo Togni was born. The couple had eight children, and their circus grew quickly, soon performing under a medium-size big top. It became so popular, apparently, that the King of Italy, Victor Emmanuel III, awarded Circo Togni the title of Circo Nazionale in 1919.
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Its creator was Vishnupant Chatre, a riding master who doubled as a singing teacher. Chatre was born in the village of Ankakhop (now part of the city of Sangli), in the province of Maharashtra, southeast of Bombay (the present Mumbai). Chatre was in charge of the stables of the Rajah of Kurduwadi, where he occasionally performed "feats of horsemanship"—in the tradition of old English riding masters such as Philip Astley.
  
Aristide's succession was assured by three of his sons, Ercole (1894-1958), Ugo (1897-1981), and Ferdinando (1900-1990). The circus alternated summer seasons under the big top with winter engagements in some of the most beautiful theatres of Italy. For several years, they toured Sicily and Greece. In the 1930s, the Dopolavoro Fascista (the entertainment office of the Fascist government) supported the Circo Nazional Togni, which it considered a major artistic propaganda tool.  
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As legend has it, Chatre and the Rajah went to see a performance of the Royal Italian Circus of Giuseppe Chiarini in Bombay. The peripatetic Italian director (whose company was generally based in North America) was on one of its many world tours, and visited Bombay for the first time in 1774. Chiarini was a remarkable equestrian, and Chatre was duly impressed by his performance, and also by his show. During a conversation with Chatre and the Rajah, Chiarini bluntly stated that India was not ready to have a circus of its own, and that it would take at least ten years before it could happen; Chatre was piqued.
  
The circus began to travel with a menagerie, which included tigers, lions, bears, elephants, and an important collection of horses. Ferdinando became a fine horse trainer and presented beautiful "liberty" horse acts; Ercole was the house clown and a good tumbler; Ugo was a perch-pole acrobat, aerialist, and animal trainer. There were also about twenty talented performers among their daughters and sons, and the company included members of other famous Italian circus families, such as Miletti, Jarz, and Casartelli.
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Thus Vishnupant Chatre decided to organize his own circus, of which he would be the star equestrian, and his wife would become a trapeze artist and an animal trainer. He probably used some of his pupils in the equestrian department as well. The first performance of Chatre’s Great Indian Circus was held on March 20, 1880 in the presence of a selected audience—among which was the Rajah of Kurduwadi, who may have helped him in starting his venture.
  
The third Togni generation created the Tognis's three principal signature acts: pyramids on horseback, "jockey," and flying trapeze. By the late 1940s, Darix Togni (Ercole's son, 1922-1976) became, with his lion act, the star of Circo Nazionale Togni. In that act, Darix began to develop his legendary gladiator character. Circo Togni's large, round cupola allowed the presentation of the Tognis's spectacular cross-flying trapeze act, which had no less than two catchers and nine flyers. Among those, Cesare Togni (Ugo's son) accomplished a double "casse-cou" (front somersault) to the catcher, with a return to the bar with a triple pirouette.  
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Following the model of Chiarini, Chatre’s Great Indian Circus went on to travel extensively, first in the vast regions of North India, then further south, to the large east-coast city of Madras (today’s Chennai), and down to the Island of Ceylon (today’s Sri Lanka). In 1884, Chatre embarked in a tour of Southeast Asia, and, according to Indian circus lore, he then crossed the ocean to conquer the United States. But here, Chatre had badly overestimated his powers: He was indeed unable to measure up to the giant American circuses, neither in size nor in quality, and he returned to India in defeat. However, no record is known of Chatre's performing in the United States.... ([[The Indian Circus|more...]])
 
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Although it survived and performed safely during WWII, the Circo Nazionale Togni was devastated by a fire in 1951. Ercole, Ugo, and Ferdinando decided that it was time to split their ever-growing family within three separate circuses.... ([[The Togni Family|more...]])
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==New Essays and Biographies==
 
==New Essays and Biographies==

Revision as of 19:34, 1 January 2026


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Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

Rambo Circus Poster (2014).jpg

THE INDIAN CIRCUS

The circus tradition in India dates back to the late nineteenth century—although India has of course a much more ancient tradition of traveling entertainers, comparable and parallel to those of Asia and Europe, and who often cross-pollinated with them. But the first Indian circus, according to the definition of the art form created by Philip Astley in 1770, didn’t appear until 1880.

Its creator was Vishnupant Chatre, a riding master who doubled as a singing teacher. Chatre was born in the village of Ankakhop (now part of the city of Sangli), in the province of Maharashtra, southeast of Bombay (the present Mumbai). Chatre was in charge of the stables of the Rajah of Kurduwadi, where he occasionally performed "feats of horsemanship"—in the tradition of old English riding masters such as Philip Astley.

As legend has it, Chatre and the Rajah went to see a performance of the Royal Italian Circus of Giuseppe Chiarini in Bombay. The peripatetic Italian director (whose company was generally based in North America) was on one of its many world tours, and visited Bombay for the first time in 1774. Chiarini was a remarkable equestrian, and Chatre was duly impressed by his performance, and also by his show. During a conversation with Chatre and the Rajah, Chiarini bluntly stated that India was not ready to have a circus of its own, and that it would take at least ten years before it could happen; Chatre was piqued.

Thus Vishnupant Chatre decided to organize his own circus, of which he would be the star equestrian, and his wife would become a trapeze artist and an animal trainer. He probably used some of his pupils in the equestrian department as well. The first performance of Chatre’s Great Indian Circus was held on March 20, 1880 in the presence of a selected audience—among which was the Rajah of Kurduwadi, who may have helped him in starting his venture.

Following the model of Chiarini, Chatre’s Great Indian Circus went on to travel extensively, first in the vast regions of North India, then further south, to the large east-coast city of Madras (today’s Chennai), and down to the Island of Ceylon (today’s Sri Lanka). In 1884, Chatre embarked in a tour of Southeast Asia, and, according to Indian circus lore, he then crossed the ocean to conquer the United States. But here, Chatre had badly overestimated his powers: He was indeed unable to measure up to the giant American circuses, neither in size nor in quality, and he returned to India in defeat. However, no record is known of Chatre's performing in the United States.
... (more...)

New Essays and Biographies

New Videos

  • Bellei Troupe, acrobats on camels (1975)
  • Helmut & Irmgard Rudat, liberty"Liberty act", "Horses at liberty": Unmounted horses presented from the center of the ring by an equestrian directing his charges with his voice, body movements, and signals from a ''chambrière'' (French), or long whip. act (1974)
  • Sarah Florees, aerial chandelier (2024)
  • Viktor Kee, juggler (2024)
  • The Brockways, bicycle act (1971)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator