Difference between revisions of "Main Page"

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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia is an independent educational website, initially created as a project of the original, non-profit [[Big Apple Circus]]''.</div><br/>
  
 
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==In The Spotlight==
 
==In The Spotlight==
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[[File:Alessandro_Guerra_(1838).jpg|right|350px]]
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[[File:Darix_Togni_1963.jpg|right|thumb|320px|Darix Togni]]
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===ALESSANDRO GUERRA===
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===THE TOGNI FAMILY===
  
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The Italian equestrian Alessandro Guerra is one of the most important figures of the 19th century equestrian circus. A remarkable horseman whose vigorous, aggressive style (as well as his fiery temper) won him the nickname of "Il Furioso," he was also a versatile performer, a gifted circus director, a pioneer who managed a very talented company and traveled with it far and wide all over Europe with enough success to catch attention and leave his mark wherever he went.
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The Togni dynasty was founded by Aristide Togni (1853-1924), a university student who, in the 1870s, ran away and joined the Circo Torinese, a circus company  headed by Giovanni De Bianchi. Like many Italian circuses at the time, the Circo Torinese performed on stage, in theaters. De Bianchi had married Maria de la Garenne (a.k.a. de Lagarein), a Sinti gypsy, who was said to be the granddaughter of a French nobleman who had fled to Italy during the French revolution.  
  
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He was born in 1782 in the historic town of Rimini, on the Adriatic coast, in what was then the Papal States, at the southern end of the Emilia-Romagna region. His parents were Mauro Guerra and Clementina, née Bordini. His family’s origins are not known, but beside his striking equestrian talents, Alessandro was a multi-talented artist: acrobat, juggler, musician, and actor in pantomimes&mdash;which leads us to believe that he came from a stock of traveling entertainers, although this is just an assumption; his brother, Rodolfo Guerra, a talented equestrian in his own right, would hold a significant part in his future company.
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Togni married Giovanni's daughter, Teresa De Bianchi. Together, they created a circus company of their own&mdash;which, as legend has it, consisted of a single wagon and a monkey&mdash;and headed for the South of Italy. Circa 1880, they had acquired a small, one-pole big top that could house an audience of forty: the first Circo Togni was born. The couple had eight children, and their circus grew quickly, soon performing under a medium-size big top. It became so popular, apparently, that the King of Italy, Victor Emmanuel III, awarded Circo Togni the title of Circo Nazionale in 1919.
  
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Guerra had been a pupil of the celebrated Italian equestrian and circus pioneer Luigi Guillaume, in whose company (the ''Gran Circo Olympico'') he performed, touring the rich Italian "circuits" of theaters, open-air arenas, and ''politeamas''&mdash;these polyvalent theaters that served as circuses as well as theaters. Then he joined Christoph de Bach's company, at Vienna's Circus Gymnasticus in 1815, where the local press first singled out Alessandro Guerra as an exceptional trick-rider: By 1817, he was a major star of de Bach’s company. On May 17, 1818, at age thirty-six, Alessandro married nineteen years old Adelheid Elisa de Bach (Adelaïde, 1798-1832), Christoph de Bach’s daughter from his first wife, Rosalia, née Masson (1755-1820).  
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Aristide's succession was assured by three of his sons, Ercole (1894-1958), Ugo (1897-1981), and Ferdinando (1900-1990). The circus alternated summer seasons under the big top with winter engagements in some of the most beautiful theatres of Italy. For several years, they toured Sicily and Greece. In the 1930s, the Dopolavoro Fascista (the entertainment office of the Fascist government) supported the Circo Nazional Togni, which it considered a major artistic propaganda tool.  
  
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Besides Vienna, de Bach’s company had a great reputation in the German and Italian states, which they visited regularly. The circus season in Vienna began traditionally on Easter Monday and lasted generally six months. The company traveled extensively the rest of the year: In 1826, for instance, they appeared in Naples, Rome, Florence, Genes, Turin, Milan, Venice, Innsbruck, Munich, Augsburg, Nuremberg, Frankfurt-am-Main, Darmstadt, Stuttgart, and Prague.  
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The circus began to travel with a menagerie, which included tigers, lions, bears, elephants, and an important collection of horses. Ferdinando became a fine horse trainer and presented beautiful "liberty" horse acts; Ercole was the house clown and a good tumbler; Ugo was a perch-pole acrobat, aerialist, and animal trainer. There were also about twenty talented performers among their daughters and sons, and the company included members of other famous Italian circus families, such as Miletti, Jarz, and Casartelli.
  
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That same year, during the 1826 season at the Circus Gymnasticus, a Viennese newspaper wrote about Alessandro Guerra: "He stands quite freely on one foot on an unsaddled horse, not running at a canter as usual, but at full gallop, in various positions, playing the guitar with as much ease as if he were sitting leisurely in an armchair." The breakneck speed at which he presented his exercises, notably his remarkable juggling on horseback, was one of his characteristics&mdash;one which helped him earn his now-famous nickname, ''Il Furioso'' ("The furious").... ([[Alessandro Guerra|more...]])
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The third Togni generation created the Tognis's three principal signature acts: pyramids on horseback, "jockey," and flying trapeze. By the late 1940s, Darix Togni (Ercole's son, 1922-1976) became, with his lion act, the star of Circo Nazionale Togni. In that act, Darix began to develop his legendary gladiator character. Circo Togni's large, round cupola allowed the presentation of the Tognis's spectacular cross-flying trapeze act, which had no less than two catchers and nine flyers. Among those, Cesare Togni (Ugo's son) accomplished a double "casse-cou" (front somersault) to the catcher, with a return to the bar with a triple pirouette.
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Although it survived and performed safely during WWII, the Circo Nazionale Togni was devastated by a fire in 1951. Ercole, Ugo, and Ferdinando decided that it was time to split their ever-growing family within three separate circuses.... ([[The Togni Family|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
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* [[Alessandro Guerra]], Equestrian, Circus Director
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* [[Richiardi Jr.]], magician
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* [[Jimmy Scott]], Clown
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* [[Astley's Amphitheatre]], circus
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* [[Alexis Gruss, Jr.]], Equestrian, Circus Owner
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* [[Virginie Kenebel]], equestrienne
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* [[Alona Zhuravel]], Hand-Balancer
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* [[Chongqing_Acrobatic_Troupe|Chongqing Acrobatic Troupe]], History
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* [[George Carl]], Clown
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* [[Cirkus_Verdensteater_(Oslo)|Cirkus Verdensteater]], Oslo Circus Building
  
 
==New Videos==
 
==New Videos==
  
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* [[Caitlin_%26_Spencer_Video_(2022)|Caitlin & Spencer]], Aerial Hoop (2022)
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* [[The_Brockways_Video_(1971)|The Brockways]], bicycle act (1971)
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* [[Gimenez_Sisters_Video_(2023)|Brihanna & Miranda Giménez]], Washington Trapeze (2023)
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* [[Giulia_Giona_Video_(2025)|Giulia Giona]], horses at libety (2025)
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* [[Cousins_Video_(2023)|Julot Cousins]], swaypole (2023)
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* [[Maxim_Voronin_Video_(2025)|Maxim Voronin]], magic/hand-balancing/contortion (2025)
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* [[Devlikamov_Video_(2023)|Olga & Marat Devlikamov]], Chinese Pole (2023)
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* [[Fuentes-Gasca_Video_(2024)|The Flying Fuentes-Gasca]], flying trapeze (2024)
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* [[WWilliams_Video_(2020)|Wesley Williams]], unicycle (2020)
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* [[Diables_Blancs_Video_(1974)|Les Diables Blancs]], high wire (1974)
  
 
==New Oral Histories==
 
==New Oral Histories==
  
 +
* [[Dominique_Jando_Video_(2025)|Dominique Jando interview]] by the Circus Historical Society (2025)
 +
* [[Evelyn_and_Andre_Video_(2015)|Evelyn & André Interview]] on Blikk TV (2015)
 
* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
 
* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
 
* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
 
* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
 
* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
 
* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
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* [[Pinito_del_Oro_RTE_Video_(1970)|Pinito del Oro's Interview]] on Spanish Television (1970)
 
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* [[Eradze_Video_(2015)|Gia Eradze]]'s Interview on SSU TV (2015)
 
  
 
==Circopedia Books==
 
==Circopedia Books==
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==A Message from the Founder==
 
==A Message from the Founder==
  
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''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
+
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
  
 
:'''Dominique Jando'''
 
:'''Dominique Jando'''
 
:Founder and Curator
 
:Founder and Curator

Latest revision as of 21:17, 11 December 2025


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia is an independent educational website, initially created as a project of the original, non-profit Big Apple Circus.

In The Spotlight

Darix Togni

THE TOGNI FAMILY

The Togni dynasty was founded by Aristide Togni (1853-1924), a university student who, in the 1870s, ran away and joined the Circo Torinese, a circus company headed by Giovanni De Bianchi. Like many Italian circuses at the time, the Circo Torinese performed on stage, in theaters. De Bianchi had married Maria de la Garenne (a.k.a. de Lagarein), a Sinti gypsy, who was said to be the granddaughter of a French nobleman who had fled to Italy during the French revolution.

Togni married Giovanni's daughter, Teresa De Bianchi. Together, they created a circus company of their own—which, as legend has it, consisted of a single wagon and a monkey—and headed for the South of Italy. Circa 1880, they had acquired a small, one-pole big topThe circus tent. America: The main tent of a traveling circus, where the show is performed, as opposed to the other tops. (French, Russian: Chapiteau) that could house an audience of forty: the first Circo Togni was born. The couple had eight children, and their circus grew quickly, soon performing under a medium-size big topThe circus tent. America: The main tent of a traveling circus, where the show is performed, as opposed to the other tops. (French, Russian: Chapiteau). It became so popular, apparently, that the King of Italy, Victor Emmanuel III, awarded Circo Togni the title of Circo Nazionale in 1919.

Aristide's succession was assured by three of his sons, Ercole (1894-1958), Ugo (1897-1981), and Ferdinando (1900-1990). The circus alternated summer seasons under the big topThe circus tent. America: The main tent of a traveling circus, where the show is performed, as opposed to the other tops. (French, Russian: Chapiteau) with winter engagements in some of the most beautiful theatres of Italy. For several years, they toured Sicily and Greece. In the 1930s, the Dopolavoro Fascista (the entertainment office of the Fascist government) supported the Circo Nazional Togni, which it considered a major artistic propaganda tool.

The circus began to travel with a menagerie, which included tigers, lions, bears, elephants, and an important collection of horses. Ferdinando became a fine horse trainer and presented beautiful "liberty"Liberty act", "Horses at liberty": Unmounted horses presented from the center of the ring by an equestrian directing his charges with his voice, body movements, and signals from a ''chambrière'' (French), or long whip." horse acts; Ercole was the house clown and a good tumbler; Ugo was a perch-poleLong perch held vertically on a performer's shoulder or forehead, on the top of which an acrobat executes various balancing figures. acrobat, aerialistAny acrobat working above the ring on an aerial equipment such as trapeze, Roman Rings, Spanish web, etc., and animal trainer. There were also about twenty talented performers among their daughters and sons, and the company included members of other famous Italian circus families, such as Miletti, Jarz, and Casartelli.

The third Togni generation created the Tognis's three principal signature acts: pyramids on horseback, "jockeyClassic equestrian act in which the participants ride standing in various attitudes on a galoping horse, perform various jumps while on the horse, and from the ground to the horse, and perform classic horse-vaulting exercises.," and flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze). By the late 1940s, Darix Togni (Ercole's son, 1922-1976) became, with his lion act, the star of Circo Nazionale Togni. In that act, Darix began to develop his legendary gladiator character. Circo Togni's large, round cupola allowed the presentation of the Tognis's spectacular cross-flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze) act, which had no less than two catchers and nine flyers. Among those, Cesare Togni (Ugo's son) accomplished a double "casse-cou(French) A front, or forward, somersault." (front somersault) to the catcherIn an acrobatic or a flying act, the person whose role is to catch acrobats that have been propelled in the air., with a return to the bar with a triple pirouette(French) A full rotation of the body in the vertical axle. Double pirouette: two rotations, etc..

Although it survived and performed safely during WWII, the Circo Nazionale Togni was devastated by a fire in 1951. Ercole, Ugo, and Ferdinando decided that it was time to split their ever-growing family within three separate circuses.... (more...)

New Essays and Biographies

New Videos

  • The Brockways, bicycle act (1971)
  • Giulia Giona, horses at libety (2025)
  • Maxim Voronin, magic/hand-balancing/contortion (2025)
  • The Flying Fuentes-Gasca, flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze) (2024)
  • Les Diables Blancs, high wireA tight, heavy metallic cable placed high above the ground, on which wire walkers do crossings and various acrobatic exercises. Not to be confused with a tight wire. (1974)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus, maintained by reliable circus historians and specialists. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator
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