Main Page

From Circopedia

Welcome! • Bienvenue! • Willkommen! • Добро Пожаловать!
Bienvenida! • Benvenuto! • 歡迎 ! • Vítejte! • Καλώς ήρθατε!
Üdvözöljük! • Добре Дошли! • Welkom! • Ласкаво Просимо!
Velkommen! • Tervetuloa! • Дабро Запрашаем! • Välkommen!

Circopedia is a project of the Big Apple Circus,
inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

Philip Astley.jpg

PHILIP ASTLEY

Philip Astley (1742-1814) is considered the creator of the modern circus. He was born January 8, 1742 in Newcastle-under-Lyme, in the West Midlands, England, the son of Edward Astley, a veneer-cutter and cabinet-maker. Edward had a short-fuse and a passion for horses, traits he passed on to his son. At age 17, Philip left home after one of many disputes with his father and enrolled in the 15th Light Dragoons, a cavalry regiment newly formed by Colonel Granville Elliott.

Six feet tall and endowed with a stentorian voice, Philip Astley was a giant for his time and didn't easily blend into crowds, even when in uniform. A gifted equestrian, he was put in charge of breaking new horses for his regiment. He was also noticed by the celebrated riding and fencing master, Domenico Angelo, who took him under his tutelage and taught him a new method aimed at improving the use of the cavalry broadsword in battle—an expertise Astley would later display in his shows.

In 1761, Astley and his regiment embarked for the Continent to fight alongside King Frederick II of Prussia in the Seven Years' War (1756-63), known as the French and Indian War in America. Corporal Astley fought gallantly: he captured an enemy standard in battle; rescued the Duke of Brunswick, who had fallen behind enemy lines; and returned to England with the rank of Sergeant Major. He obtained his discharge on June 21, 1766 at Derby, and Elliott, now General, presented him with a white charger named Gibraltar. Astley married around this time. In 1769, his wife (of whom little is known) presented him with a son, John Philip Conway Astley (1767-1821).

Trick-riding exhibitions were very popular in the second half of the eighteenth century. England had become a constitutional monarchy in 1688, and the spending power of the nobility had been curbed considerably. Private regiments were disappearing. Lavish equestrian court entertainments (such as carrousels) had ceased to be affordable. Private manèges staffed with riding instructors didn't fare much better. Still, riding masters, most of them coming from the military, could make a good living as trickAny specific exercise in a circus act.-riding performers. Thus, following in the footsteps of many great British equestrians (notably Jacob Bates, whose fame stretched from America to Russia), Philip Astley became a showman.... (more...)

New Biographies

New Videos

Featured Oral Histories

A Message from the Editor

CIRCOPEDIA is a constantly evolving and expanding encyclopedia of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. So keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Editor/Curator