Difference between revisions of "Main Page"

From Circopedia

 
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<div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! Bienvenue! Willkommen! Добро Пожаловать!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! Benvenuto! 歡迎 ! Vítejte! Καλώς ήρθατε!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! Добре Дошли! Welkom! • Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! Tervetuloa! Дабро Запрашаем! • Välkommen!</div><br/>
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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! Bienvenue! Willkommen! Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! Benvenuto! 歡迎 ! Vítejte! Καλώς ήρθατ
<div style="top:+0.2em; font-size:110%;"> Circopedia is a project of the [http://www.bigapplecircus.org/ Big Apple Circus],<br />inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation].</div>
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ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! Добре Дошли! Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! Tervetuloa! Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/>
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==In The Spotlight==
 
==In The Spotlight==
[[File:Gene_Mendez_jumping.jpeg|right|220px]]
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[[File:Luisita_Leers_trap.jpg|right|350px]]
===GENE MENDEZ===
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===LUISITA LEERS===
  
Gene Mendez (1937-1993) is a legendary figure among high wire artists, a talented and fearless performer who helped popularize the style of the solo “daredevil” high-wire artist—as opposed to the often slow-moving high wire troupes that were the norm until the early 1970s. Energetic, nimble, with a wonderful “Latino” temperament, he worked without a balancing pole and without a net, in the manner of low wire artists such as Con Colleano.
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Luisita Leers (1909-1997) was born Martha Luise Krökel in Wiesbaden, in the western state of Hesse in Germany, on October 14, 1909. Her mother, Gertrude, was a member of the Reichenbach circus family. A physically powerful woman, Gertrude acquired fame with an elegant and spectacular acrobatic act, Les Leandros, in which she was the under-stander—an unusual occurrence for a woman. Luisita never knew her biological father, who left Gertrude when Luisita was only two years old. Her mother eventually remarried with Guido Krökel, an aerial contortionist who worked with the Leers-Arvello Troupe; their act, which combined Roman Rings and acrobatic pyramids, was mostly an aerial display of strength.
  
He was born Giner E. Mendez in 1937 in Moca, in the U.S. Territory of Puerto Rico. His family moved to Brooklyn, New York, when Gene was still a child. He wanted to be a circus artist; it was not just a vague childhood dream: As a teenager, he began to train seriously in gymnastics (notably on the horizontal bars) and did some bodybuilding. In 1951, after seeing Harold Alzana in the Ringling Bros. and Barnum & Baily show at Madison Square Garden in New York, Gene began self-training in wire walking… in his mother’s apartment! He quickly developed a talent for the craft, and eventually participated in a televised talent show in Philadelphia, where Karl Wallenda noticed him.
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Guido took care of Luisita's artistic education without much tenderness, and transformed her into an exceptionally strong female athlete, who was able to hold her own in the Leers-Arvellos's various exhibitions of strength. Luisita made her professional debut on March 8, 1920 in Cologne (Köln), working with the troupe on the Roman rings. She was eleven years old! Soon, she could perform a one-arm "plange" (or planche) and an "iron cross," which were then supposed to belong exclusively to a male repertoire, and she even held with one arm her hanging stepfather. Meanwhile, she was building a trapeze act of her own, in which she could display her unusual strength. She began her solo trapeze career in 1926.
  
The famous high wire artist contacted Gene and offered him to become a member of his troupe. Mendez trained with the Master, who had a special method for teaching confidence on the wire (which was close to the ground during rehearsals): He shook it violently to test his students’ balance. One day, the exercise led Gene to lose his balance pole and violently sway the cable as he fought to stay on it; Karl Wallenda had to jump down, but Gene quickly resumed his composure and remained on the wire, walking without his balance pole "à la Alzana." In fact, he always found it difficult to keep the pole in balance—even though the pole was meant to help ''him'' keep his balance!... ([[Gene Mendez|more...]])
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Her remarkable work on the trapeze quickly drew attention, and she was featured in some of the world's most prestigious circuses and variety theaters, from the legendary Wintergarten and Scala in Berlin to the Roxy, New York's premier movie palace, and a four-year contract with Ringling Bros. and Barnum & Bailey Circus from 1928 through 1933. There, she occupied a center-ring position in a program that was particularly rich in stellar aerialists: It included Winnie Colleano on the swinging trapeze, the Codonas and the Siegrist-Silbons on the flying trapeze, and the undisputed star of the show, Lillian Leitzel, on the Roman rings.... ([[Luisita Leers|more...]])
  
==New Biographies==
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==New Essays and Biographies==
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* [[Gene Mendez]], High Wire Artist
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* [[Alexis Gruss, Jr.]], Equestrian, Circus Owner
* [[Franz Czeisler (Tihany)]], Magician, Circus Owner
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* [[Alona Zhuravel]], Hand-Balancer
* [[Cirque_Medrano_(Paris)|Circuses Fernando and Medrano]], History
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* [[George Carl]], Clown
* [[Kannan Bombayo]], Rope Dancer
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* [[Cedric Walker]], Circus Owner
* [[Réjean St. Jules]], Juggler
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* [[The Aragón Family]], Clown Dynasty
  
 
==New Videos==
 
==New Videos==
  
* [[Shchukin_Video_(1976)|Stanislav Shchukin]], Clown (1976)
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* [[Davio_Togni_Video_(c.1995)|Davio Togni]], hippo, rhino and leopard act (c.1995)
* [[Shchukin_and_Serebriakov_Video_(1976)|Shchukin & Serebriakov]], Clowns (1976)
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* [[Pneumatic_Arts_Video_(2024)|Pneumatic Arts]], flying trapeze (2024)
* [[Sky_Angels_Video_(2016)|Sky Angels]], Strap Act (2016)
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* [[Dziuba_Video_(2023)|Victoriia Dziuba]], hand-balancer (2023)
* [[Grechushkin_Video_(2016)|Grechushkin Troupe]], Tumbling Act (2016)
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* [[Bella_Ringenbach_Video_(2002)|Bella Ringenbach]], tiger act (2002)
* [[Franky_Ferrer_Video_(1976)|Franky Ferrer]], Object Balancing (1976)
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* [[Alexis_Gruss_Liberty_Video_(2022)|Alexis Gruss]], liberty presentation (2022)
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==New Oral Histories==
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* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
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* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
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* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
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* [[Pinito_del_Oro_RTE_Video_(1970)|Pinito del Oro's Interview]] on Spanish Television (1970)
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* [[Eradze_Video_(2015)|Gia Eradze]]'s Interview on SSU TV (2015)
  
==Featured Oral Histories==
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==Circopedia Books==
  
* [[Jean_Richard_Video_(1979)|Jean Richard and Jean-Pierre Richard]] at the Cirque jean Richard - Christian Boner Interview (1979)
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* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
* [[Buster_Keaton_Video_(1947)|Jérôme Medrano about Buster Keaton]] at the Cirque Medrano (1947)
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* [[Moira_Orfei_Video_(2012)|Moira Orfei]], Circus Owner - Davide Maggio Interview (2012)
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* [[Oleg_Popov_Circus_Legends_Video_(2014)|Oleg Popov]], clown - Russian Television Feature (2014)
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* [[Albert_Fratellini_Interview_(1957)|Albert Fratellini]], clown - French Television Interview (1957)
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==A Message from the Editor==
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==A Message from the Founder==
  
''CIRCOPEDIA is a constantly evolving and expanding encyclopedia of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. So keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Special:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
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''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
  
 
:'''Dominique Jando'''
 
:'''Dominique Jando'''
:Editor/Curator
+
:Founder and Curator

Latest revision as of 19:40, 31 May 2024


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia was originally inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

Luisita Leers trap.jpg

LUISITA LEERS

Luisita Leers (1909-1997) was born Martha Luise Krökel in Wiesbaden, in the western state of Hesse in Germany, on October 14, 1909. Her mother, Gertrude, was a member of the Reichenbach circus family. A physically powerful woman, Gertrude acquired fame with an elegant and spectacular acrobatic act, Les Leandros, in which she was the under-standerIn an acrobatic act, the person who is at the base, supporting other acrobats (for example, the base of a human pyramid). Also known as the "bottom Man" (or "Bottom Woman").—an unusual occurrence for a woman. Luisita never knew her biological father, who left Gertrude when Luisita was only two years old. Her mother eventually remarried with Guido Krökel, an aerial contortionist who worked with the Leers-Arvello Troupe; their act, which combined Roman Rings and acrobatic pyramids, was mostly an aerial display of strength.

Guido took care of Luisita's artistic education without much tenderness, and transformed her into an exceptionally strong female athlete, who was able to hold her own in the Leers-Arvellos's various exhibitions of strength. Luisita made her professional debut on March 8, 1920 in Cologne (Köln), working with the troupe on the Roman ringsA pair of small wooden or metallic rings hanging from ropes or straps, used by circus aerialists as well as competition gymnasts.. She was eleven years old! Soon, she could perform a one-arm "plange(American, From the French, ''planche'') Acrobatic figure in which one's body is held in a straight horizontal position." (or planche(French) Acrobatic figure in which one's body is held in a straight horizontal position.) and an "iron cross," which were then supposed to belong exclusively to a male repertoire, and she even held with one arm her hanging stepfather. Meanwhile, she was building a trapeze act of her own, in which she could display her unusual strength. She began her solo trapeze career in 1926.

Her remarkable work on the trapeze quickly drew attention, and she was featured in some of the world's most prestigious circuses and variety theaters, from the legendary Wintergarten and Scala in Berlin to the Roxy, New York's premier movie palace, and a four-year contract with Ringling Bros. and Barnum & Bailey Circus from 1928 through 1933. There, she occupied a center-ring position in a program that was particularly rich in stellar aerialists: It included Winnie Colleano on the swinging trapeze, the Codonas and the Siegrist-Silbons on the flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze), and the undisputed star of the show, Lillian Leitzel, on the Roman ringsA pair of small wooden or metallic rings hanging from ropes or straps, used by circus aerialists as well as competition gymnasts..... (more...)

New Essays and Biographies

New Videos

  • Davio Togni, hippo, rhino and leopard act (c.1995)
  • Pneumatic Arts, flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze) (2024)
  • Victoriia Dziuba, hand-balancer (2023)
  • Bella Ringenbach, tiger act (2002)
  • Alexis Gruss, liberty"Liberty act", "Horses at liberty": Unmounted horses presented from the center of the ring by an equestrian directing his charges with his voice, body movements, and signals from a ''chambrière'' (French), or long whip. presentation (2022)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator