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<div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατε!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
<div style="top:+0.2em; font-size:90%;"> Circopedia was originally created with the support of the [http://www.bigapplecircus.com/ Big Apple Circus]<br />and inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation].</div>
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ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/>
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==In The Spotlight==
 
  
===THE CIRCUSES OF MOSCOW===
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==In The Spotlight==
 
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[[File:Luisita_Leers_trap.jpg|right|350px]]
Although the name Moscow Circus is familiar to the public all over the world, there has never been one specific "Moscow Circus" whose troupe toured internationally. The name was a generic term for the circus shows from the USSR traveling abroad during the Soviet Era. It has, over time, become synonymous with "Russian circus." Yet, there are today (2020) two resident circuses in Moscow, Circus Nikulin on Tsvetnoy Boulevard, and the Bolshoi Circus (''bolshoi'' means big, in Russian) on Vernadsky Avenue—and there have been indeed several others before them.
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===LUISITA LEERS===
[[File:Bolshoi_Circus_by_night.jpeg|right|400px]]
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The first circus built in Russia was established by the French equestrian Jacques Tourniaire, who settled in 1827 in what was then the Russian capital, St. Petersburg. The building, designed by the architect Smaragd Shustov and named Cirque Olympique, was located near the Fontanka canal, practically where St. Petersburg’s Circus Ciniselli stands today. Tourniaire’s circus had only a short existence: it was bought back by the government of St. Petersburg in 1828 to be transformed into a theater. Still, the event didn’t fail to catch the attention of the Muscovites, who always took exception to the influence of Peter The Great’s Baltic capital.
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The previous year, Tourniaire had exhibited his equestrian prowess in Moscow, in the manège of the Pashkov mansion (today the Russian State Library), on Mokhovaya Street. Another famous trick rider, Jacob Bates, had long preceded him in the former Russian capital, where he performed in 1864, and since then, Moscow had welcomed several equestrian companies—among which that of Pierre Mayheu, the famous Spanish rider, in 1790&mdash;but contrary to most European major cities, the great Russian metropolis didn’t have a permanent circus of its own.
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Luisita Leers (1909-1997) was born Martha Luise Krökel in Wiesbaden, in the western state of Hesse in Germany, on October 14, 1909. Her mother, Gertrude, was a member of the Reichenbach circus family. A physically powerful woman, Gertrude acquired fame with an elegant and spectacular acrobatic act, Les Leandros, in which she was the under-stander—an unusual occurrence for a woman. Luisita never knew her biological father, who left Gertrude when Luisita was only two years old. Her mother eventually remarried with Guido Krökel, an aerial contortionist who worked with the Leers-Arvello Troupe; their act, which combined Roman Rings and acrobatic pyramids, was mostly an aerial display of strength.
  
In 1830, Mikhail Zagoskin, a popular novelist who was Moscow’s Director of the Theaters, supported the creation of a summer circus in the Neskuchny Garden, on the banks of the Moskva River, southwest of central Moscow. The circus, which was probably a light wooden construction, lasted only three seasons. For the ensuing twenty years, Russian circus history was written exclusively in St. Petersburg: Although Moscow was still the commercial hub of Tsarist Russia, the giant city didn’t have yet the rich cosmopolitan atmosphere of the Russian capital, or its cultural diversity.
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Guido took care of Luisita's artistic education without much tenderness, and transformed her into an exceptionally strong female athlete, who was able to hold her own in the Leers-Arvellos's various exhibitions of strength. Luisita made her professional debut on March 8, 1920 in Cologne (Köln), working with the troupe on the Roman rings. She was eleven years old! Soon, she could perform a one-arm "plange" (or planche) and an "iron cross," which were then supposed to belong exclusively to a male repertoire, and she even held with one arm her hanging stepfather. Meanwhile, she was building a trapeze act of her own, in which she could display her unusual strength. She began her solo trapeze career in 1926.
  
German, Italian and, mostly, French influences were quite noticeable in St. Petersburg, a city wide open on Western Europe, as its builder, Peter The Great, had wanted it. By reaction, Moscow took pride in its being the true heart of eternal Russia, conservative, religious and nationalistic. Even though its wealth attracted traveling entertainers as much as entrepreneurs and merchants, the city was particularly slow in attuning itself to the rest of Europe.... ([[The Circuses Of Moscow|more...]])
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Her remarkable work on the trapeze quickly drew attention, and she was featured in some of the world's most prestigious circuses and variety theaters, from the legendary Wintergarten and Scala in Berlin to the Roxy, New York's premier movie palace, and a four-year contract with Ringling Bros. and Barnum & Bailey Circus from 1928 through 1933. There, she occupied a center-ring position in a program that was particularly rich in stellar aerialists: It included Winnie Colleano on the swinging trapeze, the Codonas and the Siegrist-Silbons on the flying trapeze, and the undisputed star of the show, Lillian Leitzel, on the Roman rings.... ([[Luisita Leers|more...]])
  
==New Biographies==
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==New Essays and Biographies==
  
* [[William Vos]], Animal Trainer
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* [[Alexis Gruss, Jr.]], Equestrian, Circus Owner
* [[Jürg Jenny]], Animal Trainer
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* [[Alona Zhuravel]], Hand-Balancer
* [[Kio]], Magician
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* [[George Carl]], Clown
* [[Dimitri]], Clown
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* [[Cedric Walker]], Circus Owner
* [[Oleg Popov]], Clown
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* [[The Aragón Family]], Clown Dynasty
  
 
==New Videos==
 
==New Videos==
  
* [[Yasmine_Smart_BAC_2006_Video|Yasmine Smart]], Liberty Act (2006)
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* [[Hermanos_Reyes_Video_(2022)|Los Hermanos Reyes]], juggling/perc-pole balancing (2022)
* [[Viktorov_Video_(1981)|Viktorov Troupe]], Trampoline Act (1981)
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* [[Dmitrieva_Video_(2022)|Ekaterina Dmitrieva]], equestrian & aerial act (2022)
* [[Zapashnaya-Rastegaev_Video_(2020)|Ekaterina Zapashnaya & Konstantin Rastegaev]], Strap Act (2020)
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* [[Duo_Dadiva_Video_(2020)|Duo Dádiva]], rola-bola (2020)
* [[Begbudi_Video_(1981)|Sarvat Begbudi]], Juggler on Horseback (1981)
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* [[Duo_Soul_Video_(2024)|Duo Soul]], aerial hoop (2024)
* [[Paulina_Schumann_Video_(1965)|Paulina Schumann]], High School Act (1965)
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* [[Davio_Togni_Video_(c.1995)|Davio Togni]], hippo, rhino and leopard act (c.1995)
  
 
==New Oral Histories==
 
==New Oral Histories==
  
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* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
 
* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
 
* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
 
* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
 
* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
 
* [[Pinito_del_Oro_RTE_Video_(1970)|Pinito del Oro's Interview]] on Spanish Television (1970)
 
* [[Pinito_del_Oro_RTE_Video_(1970)|Pinito del Oro's Interview]] on Spanish Television (1970)
 
* [[Eradze_Video_(2015)|Gia Eradze]]'s Interview on SSU TV (2015)
 
* [[Eradze_Video_(2015)|Gia Eradze]]'s Interview on SSU TV (2015)
* [[Rosa_Bouglione_Video_(2012)|Rosa Bouglione]]'s interview on Franch Television (2012)
 
  
 
==Circopedia Books==
 
==Circopedia Books==
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* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
 
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
  
==A Message from the Editor==
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==A Message from the Founder==
  
 
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
 
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  

Latest revision as of 00:57, 13 June 2024


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia was originally inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

Luisita Leers trap.jpg

LUISITA LEERS

Luisita Leers (1909-1997) was born Martha Luise Krökel in Wiesbaden, in the western state of Hesse in Germany, on October 14, 1909. Her mother, Gertrude, was a member of the Reichenbach circus family. A physically powerful woman, Gertrude acquired fame with an elegant and spectacular acrobatic act, Les Leandros, in which she was the under-standerIn an acrobatic act, the person who is at the base, supporting other acrobats (for example, the base of a human pyramid). Also known as the "bottom Man" (or "Bottom Woman").—an unusual occurrence for a woman. Luisita never knew her biological father, who left Gertrude when Luisita was only two years old. Her mother eventually remarried with Guido Krökel, an aerial contortionist who worked with the Leers-Arvello Troupe; their act, which combined Roman Rings and acrobatic pyramids, was mostly an aerial display of strength.

Guido took care of Luisita's artistic education without much tenderness, and transformed her into an exceptionally strong female athlete, who was able to hold her own in the Leers-Arvellos's various exhibitions of strength. Luisita made her professional debut on March 8, 1920 in Cologne (Köln), working with the troupe on the Roman ringsA pair of small wooden or metallic rings hanging from ropes or straps, used by circus aerialists as well as competition gymnasts.. She was eleven years old! Soon, she could perform a one-arm "plange(American, From the French, ''planche'') Acrobatic figure in which one's body is held in a straight horizontal position." (or planche(French) Acrobatic figure in which one's body is held in a straight horizontal position.) and an "iron cross," which were then supposed to belong exclusively to a male repertoire, and she even held with one arm her hanging stepfather. Meanwhile, she was building a trapeze act of her own, in which she could display her unusual strength. She began her solo trapeze career in 1926.

Her remarkable work on the trapeze quickly drew attention, and she was featured in some of the world's most prestigious circuses and variety theaters, from the legendary Wintergarten and Scala in Berlin to the Roxy, New York's premier movie palace, and a four-year contract with Ringling Bros. and Barnum & Bailey Circus from 1928 through 1933. There, she occupied a center-ring position in a program that was particularly rich in stellar aerialists: It included Winnie Colleano on the swinging trapeze, the Codonas and the Siegrist-Silbons on the flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze), and the undisputed star of the show, Lillian Leitzel, on the Roman ringsA pair of small wooden or metallic rings hanging from ropes or straps, used by circus aerialists as well as competition gymnasts..... (more...)

New Essays and Biographies

New Videos

  • Los Hermanos Reyes, juggling/perc-pole balancing (2022)
  • Ekaterina Dmitrieva, equestrian & aerial act (2022)
  • Duo Dádiva, rola-bolaA board balancing on one or more cylinders piled on each other, and on which an acrobat stands performing juggling or acrobatic tricks. (2020)
  • Duo Soul, aerial hoopA heavy metallic hoop used as a variance of trapeze, usually with contortion moves. (Also called Cerceau.) (2024)
  • Davio Togni, hippo, rhino and leopard act (c.1995)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator