Difference between revisions of "Main Page"

From Circopedia

 
(532 intermediate revisions by 2 users not shown)
Line 9: Line 9:
 
{| style="width:100%; border:solid 0px; background:none;"
 
{| style="width:100%; border:solid 0px; background:none;"
 
|style="width:500px; text-align:center; white-space:nowrap; color:#000;"|
 
|style="width:500px; text-align:center; white-space:nowrap; color:#000;"|
<div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
+
<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
<div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally created with the support of the  Big Apple Circus Ltd. and inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/>
+
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
 +
<div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/>
 +
 
 
|}
 
|}
 
|}
 
|}
  
 
==In The Spotlight==
 
==In The Spotlight==
[[File:Gerry_Cottle_and_Girls.png|right|400px]]
+
[[File:Luisita_Leers_trap.jpg|right|350px]]
===GERRY COTTLE===
+
===LUISITA LEERS===
  
When Gerry Cottle (1945-2021) opened his first circus in 1970, two of Britain’s three major circuses, Bertram Mills and Billy Smart, had folded their tents, and the third, Chipperfield, had become but a pale shadow of its former self. The great British circus impresarios of the post-WWII era, Cyril and Bernard Mills, Billy Smart, Jimmy Chipperfield, and Tom Arnold had left the stage and there was indeed a huge void to fill. The ambitious and gifted Gerry Cottle seized the opportunity, and his name soon became synonymous with "circus" in the United Kingdom and would remain so until Cottle’s untimely death in 2021.
+
Luisita Leers (1909-1997) was born Martha Luise Krökel in Wiesbaden, in the western state of Hesse in Germany, on October 14, 1909. Her mother, Gertrude, was a member of the Reichenbach circus family. A physically powerful woman, Gertrude acquired fame with an elegant and spectacular acrobatic act, Les Leandros, in which she was the under-stander—an unusual occurrence for a woman. Luisita never knew her biological father, who left Gertrude when Luisita was only two years old. Her mother eventually remarried with Guido Krökel, an aerial contortionist who worked with the Leers-Arvello Troupe; their act, which combined Roman Rings and acrobatic pyramids, was mostly an aerial display of strength.
  
He was born Gerald Ward Cottle on April 7, 1945 in Carshalton, in the London borough of Sutton, to a family that had no relation with the circus or, for that matter, with show business: His father, Reg, worked as a stockbroker in the City, and his mother, Joan, née Ward, was a former flight attendant. His was a good middle class, white collar family, and little Gerry was expected to follow in his parents’ footsteps. Unfortunately—or fortunately&mdash;they took him when he was eight-year-old to Jack Hylton’s Circus at Earls Court, in London. He caught the circus bug and, then and there, decided that he would become not a clown, an animal trainer, a juggler or an acrobat, but simply a circus director—and this idea would never leave him.
+
Guido took care of Luisita's artistic education without much tenderness, and transformed her into an exceptionally strong female athlete, who was able to hold her own in the Leers-Arvellos's various exhibitions of strength. Luisita made her professional debut on March 8, 1920 in Cologne (Köln), working with the troupe on the Roman rings. She was eleven years old! Soon, she could perform a one-arm "plange" (or planche) and an "iron cross," which were then supposed to belong exclusively to a male repertoire, and she even held with one arm her hanging stepfather. Meanwhile, she was building a trapeze act of her own, in which she could display her unusual strength. She began her solo trapeze career in 1926.
  
Gerry Cottle grew up at a time when the British circus was in its most glorious period: Billy Smart’s and the Chipperfields’ circuses were among the largest in Europe, and the Mills brothers had successfully maintained the highest standards of excellence that their father, Bertram Mills, had set for his circus long before the war. For the Christmas season, Londoners had a choice between three circus spectaculars: Jack Hylton’s at the Earls Court arena; a massive circus show produced by Tom Arnold at the Harringay arena; and, since 1920, the highly respected Bertram Mills Circus, which presented one of Europe’s most acclaimed shows at London’s Olympia&mdash;the quality and perfection of which fascinated the young Gerry Cottle.... ([[Gerry Cottle|more...]])
+
Her remarkable work on the trapeze quickly drew attention, and she was featured in some of the world's most prestigious circuses and variety theaters, from the legendary Wintergarten and Scala in Berlin to the Roxy, New York's premier movie palace, and a four-year contract with Ringling Bros. and Barnum & Bailey Circus from 1928 through 1933. There, she occupied a center-ring position in a program that was particularly rich in stellar aerialists: It included Winnie Colleano on the swinging trapeze, the Codonas and the Siegrist-Silbons on the flying trapeze, and the undisputed star of the show, Lillian Leitzel, on the Roman rings.... ([[Luisita Leers|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
* [[Gerry Cottle]], Circus Owner
+
* [[Alexis Gruss, Jr.]], Equestrian, Circus Owner
* [[Sarah Chapman]], Aerialist
+
* [[Alona Zhuravel]], Hand-Balancer
* [[The 3 Bragazzi]], Comedy Acrobats
+
* [[George Carl]], Clown
* [[Jefferson Freire]], Juggler
+
* [[Cedric Walker]], Circus Owner
* [[The Schumann Dynasty]], History
+
* [[The Aragón Family]], Clown Dynasty
  
 
==New Videos==
 
==New Videos==
  
* [[Irina_Deryabkin_Video_(2007)|Vladimir & Irina Deryabkin]], Bear Act (2007)
+
* [[Davio_Togni_Video_(c.1995)|Davio Togni]], hippo, rhino and leopard act (c.1995)
* [[Snetkova_Video_(2007)|Snetkova Troupe]], Hand-to-Hand Balancing (2007)
+
* [[Pneumatic_Arts_Video_(2024)|Pneumatic Arts]], flying trapeze (2024)
* [[Consuelo_Reyes_Video_(1981)|Consuelo Reyes]], Foot Juggler (1981)
+
* [[Dziuba_Video_(2023)|Victoriia Dziuba]], hand-balancer (2023)
* [[Stikhanovskiy_Video_(1981)|Markova & Stikhanovskiy]], Tight Wire (1981)
+
* [[Bella_Ringenbach_Video_(2002)|Bella Ringenbach]], tiger act (2002)
* [[Gerry_Cottle_Video_(1992)|Gerry Cottle's Circus]], Documentary (1992)
+
* [[Alexis_Gruss_Liberty_Video_(2022)|Alexis Gruss]], liberty presentation (2022)
  
 
==New Oral Histories==
 
==New Oral Histories==
  
 +
* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
 
* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
 
* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
 
* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
 
* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
 
* [[Pinito_del_Oro_RTE_Video_(1970)|Pinito del Oro's Interview]] on Spanish Television (1970)
 
* [[Pinito_del_Oro_RTE_Video_(1970)|Pinito del Oro's Interview]] on Spanish Television (1970)
 
* [[Eradze_Video_(2015)|Gia Eradze]]'s Interview on SSU TV (2015)
 
* [[Eradze_Video_(2015)|Gia Eradze]]'s Interview on SSU TV (2015)
* [[Rosa_Bouglione_Video_(2012)|Rosa Bouglione]]'s interview on Franch Television (2012)
 
  
 
==Circopedia Books==
 
==Circopedia Books==
Line 52: Line 54:
 
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
 
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
  
==A Message from the Editor==
+
==A Message from the Founder==
  
 
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
 
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  

Latest revision as of 19:40, 31 May 2024


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia was originally inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

Luisita Leers trap.jpg

LUISITA LEERS

Luisita Leers (1909-1997) was born Martha Luise Krökel in Wiesbaden, in the western state of Hesse in Germany, on October 14, 1909. Her mother, Gertrude, was a member of the Reichenbach circus family. A physically powerful woman, Gertrude acquired fame with an elegant and spectacular acrobatic act, Les Leandros, in which she was the under-standerIn an acrobatic act, the person who is at the base, supporting other acrobats (for example, the base of a human pyramid). Also known as the "bottom Man" (or "Bottom Woman").—an unusual occurrence for a woman. Luisita never knew her biological father, who left Gertrude when Luisita was only two years old. Her mother eventually remarried with Guido Krökel, an aerial contortionist who worked with the Leers-Arvello Troupe; their act, which combined Roman Rings and acrobatic pyramids, was mostly an aerial display of strength.

Guido took care of Luisita's artistic education without much tenderness, and transformed her into an exceptionally strong female athlete, who was able to hold her own in the Leers-Arvellos's various exhibitions of strength. Luisita made her professional debut on March 8, 1920 in Cologne (Köln), working with the troupe on the Roman ringsA pair of small wooden or metallic rings hanging from ropes or straps, used by circus aerialists as well as competition gymnasts.. She was eleven years old! Soon, she could perform a one-arm "plange(American, From the French, ''planche'') Acrobatic figure in which one's body is held in a straight horizontal position." (or planche(French) Acrobatic figure in which one's body is held in a straight horizontal position.) and an "iron cross," which were then supposed to belong exclusively to a male repertoire, and she even held with one arm her hanging stepfather. Meanwhile, she was building a trapeze act of her own, in which she could display her unusual strength. She began her solo trapeze career in 1926.

Her remarkable work on the trapeze quickly drew attention, and she was featured in some of the world's most prestigious circuses and variety theaters, from the legendary Wintergarten and Scala in Berlin to the Roxy, New York's premier movie palace, and a four-year contract with Ringling Bros. and Barnum & Bailey Circus from 1928 through 1933. There, she occupied a center-ring position in a program that was particularly rich in stellar aerialists: It included Winnie Colleano on the swinging trapeze, the Codonas and the Siegrist-Silbons on the flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze), and the undisputed star of the show, Lillian Leitzel, on the Roman ringsA pair of small wooden or metallic rings hanging from ropes or straps, used by circus aerialists as well as competition gymnasts..... (more...)

New Essays and Biographies

New Videos

  • Davio Togni, hippo, rhino and leopard act (c.1995)
  • Pneumatic Arts, flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze) (2024)
  • Victoriia Dziuba, hand-balancer (2023)
  • Bella Ringenbach, tiger act (2002)
  • Alexis Gruss, liberty"Liberty act", "Horses at liberty": Unmounted horses presented from the center of the ring by an equestrian directing his charges with his voice, body movements, and signals from a ''chambrière'' (French), or long whip. presentation (2022)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator