Difference between revisions of "Main Page"

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<div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
<div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally created with the support of the  Big Apple Circus Ltd. and inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/>
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ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/>
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==In The Spotlight==
 
==In The Spotlight==
[[File:Bolshoi_Circus_Aerial.png|right|400px]]
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[[File:Luisita_Leers_trap.jpg|right|350px]]
===MOSCOW'S BOLSHOI CIRCUS===
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===LUISITA LEERS===
 
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The "Great Moscow Circus on Vernadsky Avenue" (''Большой Московский цирк на проспекте Вернадского'' in Russian), better known as Moscow's ''Bolshoi Circus'' ("Grand Circus") was built under the tenure of Leonid Brezhnev as First Secretary of the Communist Party of the USSR, and opened its doors on April 30, 1971. It is located on Vorobiovy Hills (formerly Lenin Hills), in the Gagarin District, between Vernadsky Prospect (avenue), which separates it from the Moscow University campus, and Nikolai Kopernik (Copernic) Street; Lomonosov Avenue joins them on the southern side. Although it is far from Moscow's center, it is well deserved by the ''Universitet'' metro station.
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The building was conceived by Yakov Borisovich Belopolsky (1916-1993)&mdash;one of the busiest official architects of the Brezhnev era&mdash;in cooperation with E. Bulikh, S. Feoktistov and V. Khavin, the engineers who developed the unique technology of this revolutionary circus. With its 3,350-seat house, 56 meters in diameter (approximately 185 feet) and a height of 28 meters (92 feet) under the cupola, and its numerous specialized features and facilities, it is the world's largest and technically most advanced circus building.
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Luisita Leers (1909-1997) was born Martha Luise Krökel in Wiesbaden, in the western state of Hesse in Germany, on October 14, 1909. Her mother, Gertrude, was a member of the Reichenbach circus family. A physically powerful woman, Gertrude acquired fame with an elegant and spectacular acrobatic act, Les Leandros, in which she was the under-stander—an unusual occurrence for a woman. Luisita never knew her biological father, who left Gertrude when Luisita was only two years old. Her mother eventually remarried with Guido Krökel, an aerial contortionist who worked with the Leers-Arvello Troupe; their act, which combined Roman Rings and acrobatic pyramids, was mostly an aerial display of strength.
  
Its unique fittings make it an exceptional tool for the presentation of all sorts of large-scale circus productions. The ensemble includes a rehearsal ring, located backstage behind the ring entrance in a space vast and high enough to accommodate aerial acts; a stage above the ring entrance, which can connect to the ring with a telescopic staircase that unfolds automatically; the possibility for aerialists and technicians to access the house or their apparatus from the ceiling; a multitude of dressing rooms, offices, and workshops (for costumes and equipment), a canteen and a cafeteria for the personnel, and several spacious rooms with controlled temperatures to accommodate the upkeep of all sorts animals.  
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Guido took care of Luisita's artistic education without much tenderness, and transformed her into an exceptionally strong female athlete, who was able to hold her own in the Leers-Arvellos's various exhibitions of strength. Luisita made her professional debut on March 8, 1920 in Cologne (Köln), working with the troupe on the Roman rings. She was eleven years old! Soon, she could perform a one-arm "plange" (or planche) and an "iron cross," which were then supposed to belong exclusively to a male repertoire, and she even held with one arm her hanging stepfather. Meanwhile, she was building a trapeze act of her own, in which she could display her unusual strength. She began her solo trapeze career in 1926.
  
But the true jewel of the crown is without a doubt its interchangeable ring: It is placed on a hydraulic circular platform that can be lowered into a gigantic basement, where four other full-size specialized rings are stored around this central elevator, and can roll on and off its platform.... ([[Bolshoi Circus|more...]])
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Her remarkable work on the trapeze quickly drew attention, and she was featured in some of the world's most prestigious circuses and variety theaters, from the legendary Wintergarten and Scala in Berlin to the Roxy, New York's premier movie palace, and a four-year contract with Ringling Bros. and Barnum & Bailey Circus from 1928 through 1933. There, she occupied a center-ring position in a program that was particularly rich in stellar aerialists: It included Winnie Colleano on the swinging trapeze, the Codonas and the Siegrist-Silbons on the flying trapeze, and the undisputed star of the show, Lillian Leitzel, on the Roman rings.... ([[Luisita Leers|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
* [[Pablo Noel]], Animal Trainer
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* [[Alexis Gruss, Jr.]], Equestrian, Circus Owner
* [[Big Apple Circus]], History
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* [[Alona Zhuravel]], Hand-Balancer
* [[Gerry Cottle]], Circus Owner
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* [[George Carl]], Clown
* [[Sarah Chapman]], Aerialist
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* [[Cedric Walker]], Circus Owner
* [[The 3 Bragazzi]], Comedy Acrobats
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* [[The Aragón Family]], Clown Dynasty
  
 
==New Videos==
 
==New Videos==
  
* [[Stina_and_Lotta_Video_(2010)|Stina & Lotta]], Comedy Rola-Bola (2010)
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* [[Hermanos_Reyes_Video_(2022)|Los Hermanos Reyes]], juggling/perc-pole balancing (2022)
* [[Kis_Faludy_Video_(2006)|Duo Kis Faludy]], Teeterboard (2006)
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* [[Dmitrieva_Video_(2022)|Ekaterina Dmitrieva]], equestrian & aerial act (2022)
* [[Duo_Togni_Video_(2020)|Duo Togni]], Aerial Straps (2020)
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* [[Duo_Dadiva_Video_(2020)|Duo Dádiva]], rola-bola (2020)
* [[Anastasiya_Video_(2020)|Duo Anastasiya]], Single Point Trapeze (2020)
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* [[Duo_Soul_Video_(2024)|Duo Soul]], aerial hoop (2024)
* [[Rudi_Llata_Video_(1971)|Los Rudi-Llata]], Clowns (1971)
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* [[Davio_Togni_Video_(c.1995)|Davio Togni]], hippo, rhino and leopard act (c.1995)
  
 
==New Oral Histories==
 
==New Oral Histories==
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* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
 
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
  
==A Message from Dominique Jando==
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==A Message from the Founder==
  
 
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
 
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  

Latest revision as of 00:57, 13 June 2024


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia was originally inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

Luisita Leers trap.jpg

LUISITA LEERS

Luisita Leers (1909-1997) was born Martha Luise Krökel in Wiesbaden, in the western state of Hesse in Germany, on October 14, 1909. Her mother, Gertrude, was a member of the Reichenbach circus family. A physically powerful woman, Gertrude acquired fame with an elegant and spectacular acrobatic act, Les Leandros, in which she was the under-standerIn an acrobatic act, the person who is at the base, supporting other acrobats (for example, the base of a human pyramid). Also known as the "bottom Man" (or "Bottom Woman").—an unusual occurrence for a woman. Luisita never knew her biological father, who left Gertrude when Luisita was only two years old. Her mother eventually remarried with Guido Krökel, an aerial contortionist who worked with the Leers-Arvello Troupe; their act, which combined Roman Rings and acrobatic pyramids, was mostly an aerial display of strength.

Guido took care of Luisita's artistic education without much tenderness, and transformed her into an exceptionally strong female athlete, who was able to hold her own in the Leers-Arvellos's various exhibitions of strength. Luisita made her professional debut on March 8, 1920 in Cologne (Köln), working with the troupe on the Roman ringsA pair of small wooden or metallic rings hanging from ropes or straps, used by circus aerialists as well as competition gymnasts.. She was eleven years old! Soon, she could perform a one-arm "plange(American, From the French, ''planche'') Acrobatic figure in which one's body is held in a straight horizontal position." (or planche(French) Acrobatic figure in which one's body is held in a straight horizontal position.) and an "iron cross," which were then supposed to belong exclusively to a male repertoire, and she even held with one arm her hanging stepfather. Meanwhile, she was building a trapeze act of her own, in which she could display her unusual strength. She began her solo trapeze career in 1926.

Her remarkable work on the trapeze quickly drew attention, and she was featured in some of the world's most prestigious circuses and variety theaters, from the legendary Wintergarten and Scala in Berlin to the Roxy, New York's premier movie palace, and a four-year contract with Ringling Bros. and Barnum & Bailey Circus from 1928 through 1933. There, she occupied a center-ring position in a program that was particularly rich in stellar aerialists: It included Winnie Colleano on the swinging trapeze, the Codonas and the Siegrist-Silbons on the flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze), and the undisputed star of the show, Lillian Leitzel, on the Roman ringsA pair of small wooden or metallic rings hanging from ropes or straps, used by circus aerialists as well as competition gymnasts..... (more...)

New Essays and Biographies

New Videos

  • Los Hermanos Reyes, juggling/perc-pole balancing (2022)
  • Ekaterina Dmitrieva, equestrian & aerial act (2022)
  • Duo Dádiva, rola-bolaA board balancing on one or more cylinders piled on each other, and on which an acrobat stands performing juggling or acrobatic tricks. (2020)
  • Duo Soul, aerial hoopA heavy metallic hoop used as a variance of trapeze, usually with contortion moves. (Also called Cerceau.) (2024)
  • Davio Togni, hippo, rhino and leopard act (c.1995)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator