Difference between revisions of "Main Page"
From Circopedia
DjandoAdmin (Talk | contribs) |
|||
| (492 intermediate revisions by 2 users not shown) | |||
| Line 9: | Line 9: | ||
{| style="width:100%; border:solid 0px; background:none;" | {| style="width:100%; border:solid 0px; background:none;" | ||
|style="width:500px; text-align:center; white-space:nowrap; color:#000;"| | |style="width:500px; text-align:center; white-space:nowrap; color:#000;"| | ||
| − | <div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς | + | <br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ |
| − | <div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally | + | ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/> |
| + | <div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/> | ||
| + | |||
|} | |} | ||
|} | |} | ||
==In The Spotlight== | ==In The Spotlight== | ||
| − | [[File: | + | [[File:Luisita_Leers_trap.jpg|right|350px]] |
| − | === | + | ===LUISITA LEERS=== |
| − | + | Luisita Leers (1909-1997) was born Martha Luise Krökel in Wiesbaden, in the western state of Hesse in Germany, on October 14, 1909. Her mother, Gertrude, was a member of the Reichenbach circus family. A physically powerful woman, Gertrude acquired fame with an elegant and spectacular acrobatic act, Les Leandros, in which she was the under-stander—an unusual occurrence for a woman. Luisita never knew her biological father, who left Gertrude when Luisita was only two years old. Her mother eventually remarried with Guido Krökel, an aerial contortionist who worked with the Leers-Arvello Troupe; their act, which combined Roman Rings and acrobatic pyramids, was mostly an aerial display of strength. | |
| − | + | Guido took care of Luisita's artistic education without much tenderness, and transformed her into an exceptionally strong female athlete, who was able to hold her own in the Leers-Arvellos's various exhibitions of strength. Luisita made her professional debut on March 8, 1920 in Cologne (Köln), working with the troupe on the Roman rings. She was eleven years old! Soon, she could perform a one-arm "plange" (or planche) and an "iron cross," which were then supposed to belong exclusively to a male repertoire, and she even held with one arm her hanging stepfather. Meanwhile, she was building a trapeze act of her own, in which she could display her unusual strength. She began her solo trapeze career in 1926. | |
| − | + | Her remarkable work on the trapeze quickly drew attention, and she was featured in some of the world's most prestigious circuses and variety theaters, from the legendary Wintergarten and Scala in Berlin to the Roxy, New York's premier movie palace, and a four-year contract with Ringling Bros. and Barnum & Bailey Circus from 1928 through 1933. There, she occupied a center-ring position in a program that was particularly rich in stellar aerialists: It included Winnie Colleano on the swinging trapeze, the Codonas and the Siegrist-Silbons on the flying trapeze, and the undisputed star of the show, Lillian Leitzel, on the Roman rings.... ([[Luisita Leers|more...]]) | |
==New Essays and Biographies== | ==New Essays and Biographies== | ||
| − | * [[ | + | * [[Alexis Gruss, Jr.]], Equestrian, Circus Owner |
| − | * [[ | + | * [[Alona Zhuravel]], Hand-Balancer |
| − | * [[ | + | * [[George Carl]], Clown |
| − | * [[ | + | * [[Cedric Walker]], Circus Owner |
| − | * [[The | + | * [[The Aragón Family]], Clown Dynasty |
==New Videos== | ==New Videos== | ||
| − | * [[ | + | * [[Hermanos_Reyes_Video_(2022)|Los Hermanos Reyes]], juggling/perc-pole balancing (2022) |
| − | * [[ | + | * [[Dmitrieva_Video_(2022)|Ekaterina Dmitrieva]], equestrian & aerial act (2022) |
| − | * [[ | + | * [[Duo_Dadiva_Video_(2020)|Duo Dádiva]], rola-bola (2020) |
| − | * [[ | + | * [[Duo_Soul_Video_(2024)|Duo Soul]], aerial hoop (2024) |
| − | * [[ | + | * [[Davio_Togni_Video_(c.1995)|Davio Togni]], hippo, rhino and leopard act (c.1995) |
==New Oral Histories== | ==New Oral Histories== | ||
| Line 52: | Line 54: | ||
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018) | * [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018) | ||
| − | ==A Message from | + | ==A Message from the Founder== |
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.'' | ''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.'' | ||
Latest revision as of 00:57, 13 June 2024
|
In The Spotlight
LUISITA LEERS
Luisita Leers (1909-1997) was born Martha Luise Krökel in Wiesbaden, in the western state of Hesse in Germany, on October 14, 1909. Her mother, Gertrude, was a member of the Reichenbach circus family. A physically powerful woman, Gertrude acquired fame with an elegant and spectacular acrobatic act, Les Leandros, in which she was the under-standerIn an acrobatic act, the person who is at the base, supporting other acrobats (for example, the base of a human pyramid). Also known as the "bottom Man" (or "Bottom Woman").—an unusual occurrence for a woman. Luisita never knew her biological father, who left Gertrude when Luisita was only two years old. Her mother eventually remarried with Guido Krökel, an aerial contortionist who worked with the Leers-Arvello Troupe; their act, which combined Roman Rings and acrobatic pyramids, was mostly an aerial display of strength.
Guido took care of Luisita's artistic education without much tenderness, and transformed her into an exceptionally strong female athlete, who was able to hold her own in the Leers-Arvellos's various exhibitions of strength. Luisita made her professional debut on March 8, 1920 in Cologne (Köln), working with the troupe on the Roman ringsA pair of small wooden or metallic rings hanging from ropes or straps, used by circus aerialists as well as competition gymnasts.. She was eleven years old! Soon, she could perform a one-arm "plange(American, From the French, ''planche'') Acrobatic figure in which one's body is held in a straight horizontal position." (or planche(French) Acrobatic figure in which one's body is held in a straight horizontal position.) and an "iron cross," which were then supposed to belong exclusively to a male repertoire, and she even held with one arm her hanging stepfather. Meanwhile, she was building a trapeze act of her own, in which she could display her unusual strength. She began her solo trapeze career in 1926.
Her remarkable work on the trapeze quickly drew attention, and she was featured in some of the world's most prestigious circuses and variety theaters, from the legendary Wintergarten and Scala in Berlin to the Roxy, New York's premier movie palace, and a four-year contract with Ringling Bros. and Barnum & Bailey Circus from 1928 through 1933. There, she occupied a center-ring position in a program that was particularly rich in stellar aerialists: It included Winnie Colleano on the swinging trapeze, the Codonas and the Siegrist-Silbons on the flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze), and the undisputed star of the show, Lillian Leitzel, on the Roman ringsA pair of small wooden or metallic rings hanging from ropes or straps, used by circus aerialists as well as competition gymnasts..... (more...)
New Essays and Biographies
- Alexis Gruss, Jr., Equestrian, Circus Owner
- Alona Zhuravel, Hand-Balancer
- George Carl, Clown
- Cedric Walker, Circus Owner
- The Aragón Family, Clown Dynasty
New Videos
- Los Hermanos Reyes, juggling/perc-pole balancing (2022)
- Ekaterina Dmitrieva, equestrian & aerial act (2022)
- Duo Dádiva, rola-bolaA board balancing on one or more cylinders piled on each other, and on which an acrobat stands performing juggling or acrobatic tricks. (2020)
- Duo Soul, aerial hoopA heavy metallic hoop used as a variance of trapeze, usually with contortion moves. (Also called Cerceau.) (2024)
- Davio Togni, hippo, rhino and leopard act (c.1995)
New Oral Histories
- For A Moment You Fly, The First Season of The Big Apple Circus (1977)
- Vladimir Durov Documentary on Russian Television (c.2000)
- Dolly Jacobs Interview at The Ringling (2018)
- Pinito del Oro's Interview on Spanish Television (1970)
- Gia Eradze's Interview on SSU TV (2015)
Circopedia Books
- Philip Astley & The Horsemen who invented the Circus, by Dominique Jando (2018)
A Message from the Founder
CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.
- Dominique Jando
- Founder and Curator
