Difference between revisions of "Main Page"

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<div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
<div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally created with the support of the  Big Apple Circus Ltd. and inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/>
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ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/>
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==In The Spotlight==
 
==In The Spotlight==
[[File:Big_Apple_Circus_Picturesque_set_(2004).jpg|right|400px]]
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[[File:Luisita_Leers_trap.jpg|right|350px]]
===THE BIG APPLE CIRCUS===
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===LUISITA LEERS===
 
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A cherished New York Institution, the original, not-for-profit Big Apple Circus was created in 1977 by Paul Binder and his juggling partner, Michael Christensen, as the performing arm of the New York School for Circus Arts. Its enormous success soon put the school in the shadows, and the circus took over as the principal activity of the organization. It became one of the world’s most respected and successful circuses—until the economic crisis of 2008, which dramatically impacted its fund-raising capacity, sadly led it to file for bankruptcy eight years later.
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Its name and equipment were sold to private investors who brought the Big Apple Circus back to life in September 2017 in its traditional winter venue, Damrosch Park, in New York’s prestigious Lincoln Center for The Performing Arts. The new Big Apple Circus quickly abandoned its spring-summer tours of the northeast United States and beyond, and limited its activity to its Lincoln Center four-month winter season. However, the Covid pandemic prevented it from performing in the winter of 2020-21. (As of August 2021, it is not yet known when or if it will resume its performances.)
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As a child, Paul Binder was occasionally taken to the circus by his parents at Madison Square Garden. "I do have one very powerful memory," Paul said, "a spotlighted Unus, alone in the center ring, doing his one-finger stand on a lighted globe. It was very dramatic!" However, the idea that within the circus ring would lie his career never entered his mind.
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Luisita Leers (1909-1997) was born Martha Luise Krökel in Wiesbaden, in the western state of Hesse in Germany, on October 14, 1909. Her mother, Gertrude, was a member of the Reichenbach circus family. A physically powerful woman, Gertrude acquired fame with an elegant and spectacular acrobatic act, Les Leandros, in which she was the under-stander—an unusual occurrence for a woman. Luisita never knew her biological father, who left Gertrude when Luisita was only two years old. Her mother eventually remarried with Guido Krökel, an aerial contortionist who worked with the Leers-Arvello Troupe; their act, which combined Roman Rings and acrobatic pyramids, was mostly an aerial display of strength.
  
Later, Paul attended Dartmouth College, where he joined the Dartmouth Players and the Hopkins Center Repertory Theatre, and then earned an MBA at Columbia University. After a brief stint at Boston University’s School of Fine and Applied Arts, he went to work on television as stage manager for Julia Child’s cooking shows, and later as talent coordinator for The Merv Griffin Show. It was the end of the 1960s, and Paul was restless with the times.
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Guido took care of Luisita's artistic education without much tenderness, and transformed her into an exceptionally strong female athlete, who was able to hold her own in the Leers-Arvellos's various exhibitions of strength. Luisita made her professional debut on March 8, 1920 in Cologne (Köln), working with the troupe on the Roman rings. She was eleven years old! Soon, she could perform a one-arm "plange" (or planche) and an "iron cross," which were then supposed to belong exclusively to a male repertoire, and she even held with one arm her hanging stepfather. Meanwhile, she was building a trapeze act of her own, in which she could display her unusual strength. She began her solo trapeze career in 1926.
  
Meanwhile, in Walla-Walla, Washington, where he was born, Michael Christensen was struggling with a difficult childhood. Somehow, he needed to act out the feelings stirred by his uneasy life, so, quite naturally, he enrolled in the Professional Actor Training program at the University of Washington. As for the circus: "When the circus came to town in the summer, I helped setting up the tents with my brother in exchange for free passes. I also remember laughing uncontrollably at a clown gag—but I don’t remember who the clown was nor what was the gag.".... ([[Big Apple Circus|more...]])
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Her remarkable work on the trapeze quickly drew attention, and she was featured in some of the world's most prestigious circuses and variety theaters, from the legendary Wintergarten and Scala in Berlin to the Roxy, New York's premier movie palace, and a four-year contract with Ringling Bros. and Barnum & Bailey Circus from 1928 through 1933. There, she occupied a center-ring position in a program that was particularly rich in stellar aerialists: It included Winnie Colleano on the swinging trapeze, the Codonas and the Siegrist-Silbons on the flying trapeze, and the undisputed star of the show, Lillian Leitzel, on the Roman rings.... ([[Luisita Leers|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
* [[Pablo Noel]], Animal Trainer
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* [[Alexis Gruss, Jr.]], Equestrian, Circus Owner
* [[Big Apple Circus]], History
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* [[Alona Zhuravel]], Hand-Balancer
* [[Gerry Cottle]], Circus Owner
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* [[George Carl]], Clown
* [[Sarah Chapman]], Aerialist
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* [[Cedric Walker]], Circus Owner
* [[The 3 Bragazzi]], Comedy Acrobats
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* [[The Aragón Family]], Clown Dynasty
  
 
==New Videos==
 
==New Videos==
  
* [[Wellton_Video_(2010)|John Wellton]], Comedy Juggler (2010)
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* [[Hermanos_Reyes_Video_(2022)|Los Hermanos Reyes]], juggling/perc-pole balancing (2022)
* [[Espanas_Video_(1983)|The Flying Españas]], Flying Trapeze (1983)
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* [[Dmitrieva_Video_(2022)|Ekaterina Dmitrieva]], equestrian & aerial act (2022)
* [[Wu_Zhengdan-Wei_Baohua_Video_(2008)|Wu Zhengdan & Wei Baohua]], Acrobatic Adagio (2008)
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* [[Duo_Dadiva_Video_(2020)|Duo Dádiva]], rola-bola (2020)
* [[Duo_Unity_Video_(2016)|Duo Unity]], Cyr Wheel (2016)
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* [[Duo_Soul_Video_(2024)|Duo Soul]], aerial hoop (2024)
* [[Credo_Video_(2017)|Trio Credo]], Russian Barre (2017)
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* [[Davio_Togni_Video_(c.1995)|Davio Togni]], hippo, rhino and leopard act (c.1995)
  
 
==New Oral Histories==
 
==New Oral Histories==
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* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
 
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
  
==A Message from Dominique Jando==
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==A Message from the Founder==
  
 
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
 
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  

Latest revision as of 00:57, 13 June 2024


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia was originally inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

Luisita Leers trap.jpg

LUISITA LEERS

Luisita Leers (1909-1997) was born Martha Luise Krökel in Wiesbaden, in the western state of Hesse in Germany, on October 14, 1909. Her mother, Gertrude, was a member of the Reichenbach circus family. A physically powerful woman, Gertrude acquired fame with an elegant and spectacular acrobatic act, Les Leandros, in which she was the under-standerIn an acrobatic act, the person who is at the base, supporting other acrobats (for example, the base of a human pyramid). Also known as the "bottom Man" (or "Bottom Woman").—an unusual occurrence for a woman. Luisita never knew her biological father, who left Gertrude when Luisita was only two years old. Her mother eventually remarried with Guido Krökel, an aerial contortionist who worked with the Leers-Arvello Troupe; their act, which combined Roman Rings and acrobatic pyramids, was mostly an aerial display of strength.

Guido took care of Luisita's artistic education without much tenderness, and transformed her into an exceptionally strong female athlete, who was able to hold her own in the Leers-Arvellos's various exhibitions of strength. Luisita made her professional debut on March 8, 1920 in Cologne (Köln), working with the troupe on the Roman ringsA pair of small wooden or metallic rings hanging from ropes or straps, used by circus aerialists as well as competition gymnasts.. She was eleven years old! Soon, she could perform a one-arm "plange(American, From the French, ''planche'') Acrobatic figure in which one's body is held in a straight horizontal position." (or planche(French) Acrobatic figure in which one's body is held in a straight horizontal position.) and an "iron cross," which were then supposed to belong exclusively to a male repertoire, and she even held with one arm her hanging stepfather. Meanwhile, she was building a trapeze act of her own, in which she could display her unusual strength. She began her solo trapeze career in 1926.

Her remarkable work on the trapeze quickly drew attention, and she was featured in some of the world's most prestigious circuses and variety theaters, from the legendary Wintergarten and Scala in Berlin to the Roxy, New York's premier movie palace, and a four-year contract with Ringling Bros. and Barnum & Bailey Circus from 1928 through 1933. There, she occupied a center-ring position in a program that was particularly rich in stellar aerialists: It included Winnie Colleano on the swinging trapeze, the Codonas and the Siegrist-Silbons on the flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze), and the undisputed star of the show, Lillian Leitzel, on the Roman ringsA pair of small wooden or metallic rings hanging from ropes or straps, used by circus aerialists as well as competition gymnasts..... (more...)

New Essays and Biographies

New Videos

  • Los Hermanos Reyes, juggling/perc-pole balancing (2022)
  • Ekaterina Dmitrieva, equestrian & aerial act (2022)
  • Duo Dádiva, rola-bolaA board balancing on one or more cylinders piled on each other, and on which an acrobat stands performing juggling or acrobatic tricks. (2020)
  • Duo Soul, aerial hoopA heavy metallic hoop used as a variance of trapeze, usually with contortion moves. (Also called Cerceau.) (2024)
  • Davio Togni, hippo, rhino and leopard act (c.1995)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator