Difference between revisions of "Main Page"

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<div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
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<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
 
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
<div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally created with the support of the  Big Apple Circus Ltd.''</div><div style=font-size:98%;">''and inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/>
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<div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/>
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==In The Spotlight==
 
==In The Spotlight==
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[[File:Luisita_Leers_trap.jpg|right|350px]]
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===LUISITA LEERS===
  
===YURY NIKULIN===
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Luisita Leers (1909-1997) was born Martha Luise Krökel in Wiesbaden, in the western state of Hesse in Germany, on October 14, 1909. Her mother, Gertrude, was a member of the Reichenbach circus family. A physically powerful woman, Gertrude acquired fame with an elegant and spectacular acrobatic act, Les Leandros, in which she was the under-stander—an unusual occurrence for a woman. Luisita never knew her biological father, who left Gertrude when Luisita was only two years old. Her mother eventually remarried with Guido Krökel, an aerial contortionist who worked with the Leers-Arvello Troupe; their act, which combined Roman Rings and acrobatic pyramids, was mostly an aerial display of strength.
 
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Yury Nikulin (1921-1997) was the Soviet Union’s (and later, Russia’s) greatest and most beloved clown, as well as a remarkable and equally beloved screen actor; his performing career covered more than three decades, from 1948 to 1981. Upon his retirement from the ring, he became Director of Moscow's "Old Circus" on Tsvetnoy Boulevard, which he had entirely rebuilt (from 1985-1989) into a modern facility by a Finnish company, thus bringing that cherished Moscow institution into the modern age, and restoring its prominence on the Russian and European circus scenes at a critical moment in Russian history.
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Yury Vladimirovich Nikulin (Юрий Владимирович Никулин) was born in a theatrical family on December 18, 1921, in Demidov, a small town in the province of Smolensk, in northwest Russia, near the Belarussian border. His father was Moscow-born Vladimir Andreyevich Nikulin (1898-1964); his mother, Lidiya Ivanovna Nikulina (1902-1979), was born Lidia Germanova in Lievenhof (today's Līvāni) in Latvia, which was then part of the of the Russian Empire; she had moved to Demidov with relatives during the First World War to stay away from the combat zone. There, she met and married Vladimir Andreyevich.
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When Yury was born, Vladimir Nikulin had just been discharged from the Red Army and got a job at the Drama Theater in Demidov, where Lidia also worked as an actress. Then, he organized a traveling propaganda-theater group that promoted the brand-new Soviet regime through "revolutionary humor," and acted in plays which he also directed. In 1925, the Nikulin family moved to Moscow, where Vladimir wrote sketches for circus and variety shows&mdash;which were still intensely politicized then. He also organized the theater group at the school his son, Yury, attended. Later, he became a journalist.
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On November 18, 1939, after graduating from high school, young Yury Nikulin was drafted into the Red Army for his three-year mandatory military service. This would have a long-lasting impact on Yury Nikulin as a man: In June 1941, the USSR declared war on Germany and the Axis powers, and what will be known in Russia as "The Great Patriotic War" started. Yury Nikulin was then serving in the 115th anti-aircraft artillery regiment. During the Soviet-Finnish war (1939-1940), his anti-aircraft battery had guarded the air approaches to Leningrad.  
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Guido took care of Luisita's artistic education without much tenderness, and transformed her into an exceptionally strong female athlete, who was able to hold her own in the Leers-Arvellos's various exhibitions of strength. Luisita made her professional debut on March 8, 1920 in Cologne (Köln), working with the troupe on the Roman rings. She was eleven years old! Soon, she could perform a one-arm "plange" (or planche) and an "iron cross," which were then supposed to belong exclusively to a male repertoire, and she even held with one arm her hanging stepfather. Meanwhile, she was building a trapeze act of her own, in which she could display her unusual strength. She began her solo trapeze career in 1926.
  
The siege of Leningrad (St. Petersburg) started in 1941, and Yury and his regiment fought to save the old imperial capital. The siege of Leningrad by the Germans was particularly brutal. In 1943, Yury was hospitalized for shock-shell treatment (today known as PTSD), and was subsequently transferred to another anti-aircraft battalion, where he oversaw an intelligence department. He was in Courland, Latvia (which had been annexed to the USSR) when the war ended on May 9, 1945; he remained in the Red Army for another year and was demobilized, a decorated soldier, on May 18, 1946, with the rank of Senior Sergeant. For the rest of his life, Yury Nikulin never forgot his war companions; even at the height of his fame, he always remained "one of them."([[Yury Nikulin|more...]])
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Her remarkable work on the trapeze quickly drew attention, and she was featured in some of the world's most prestigious circuses and variety theaters, from the legendary Wintergarten and Scala in Berlin to the Roxy, New York's premier movie palace, and a four-year contract with Ringling Bros. and Barnum & Bailey Circus from 1928 through 1933. There, she occupied a center-ring position in a program that was particularly rich in stellar aerialists: It included Winnie Colleano on the swinging trapeze, the Codonas and the Siegrist-Silbons on the flying trapeze, and the undisputed star of the show, Lillian Leitzel, on the Roman rings.... ([[Luisita Leers|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
* [[Yury Nikulin]], Clown, Actor, Circus Director
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* [[Alexis Gruss, Jr.]], Equestrian, Circus Owner
* [[Serge]], Circus Chronicler and Illustrator
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* [[Alona Zhuravel]], Hand-Balancer
* [[Alexandre Palisse]], Clown, Circus Owner
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* [[George Carl]], Clown
* [[Rico y Alex]], Clowns
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* [[Cedric Walker]], Circus Owner
* [[Barbette]], Trapeze and Tightwire Artist
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* [[The Aragón Family]], Clown Dynasty
  
 
==New Videos==
 
==New Videos==
  
* [[Schumann_Rhapsody_Video_(1965)|Albert Schumann]], ''Rhapsody In Blue'', Liberty Act (1965)
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* [[Duo_Dadiva_Video_(2020)|Duo Dádiva]], rola-bola (2020)
* [[Valla-Bertini_Video_(2022)|Pavel Valla-Bertini]], Unicycle Act (2022)
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* [[Duo_Soul_Video_(2024)|Duo Soul]], aerial hoop (2024)
* [[Sheshukova_Video_(2022)|Valeriya Sheshukova]], Swinging Trapeze (2022)
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* [[Davio_Togni_Video_(c.1995)|Davio Togni]], hippo, rhino and leopard act (c.1995)
* [[Eftode_Video_(2022)|Trio Eftode]], Perch-Pole Balancing (2022)
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* [[Pneumatic_Arts_Video_(2024)|Pneumatic Arts]], flying trapeze (2024)
* [[Schumann_High_School_Video_(1964)|The Schumann Family]], High-School Act (1964)
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* [[Dziuba_Video_(2023)|Victoriia Dziuba]], hand-balancer (2023)
  
 
==New Oral Histories==
 
==New Oral Histories==

Latest revision as of 23:22, 8 June 2024


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia was originally inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

Luisita Leers trap.jpg

LUISITA LEERS

Luisita Leers (1909-1997) was born Martha Luise Krökel in Wiesbaden, in the western state of Hesse in Germany, on October 14, 1909. Her mother, Gertrude, was a member of the Reichenbach circus family. A physically powerful woman, Gertrude acquired fame with an elegant and spectacular acrobatic act, Les Leandros, in which she was the under-standerIn an acrobatic act, the person who is at the base, supporting other acrobats (for example, the base of a human pyramid). Also known as the "bottom Man" (or "Bottom Woman").—an unusual occurrence for a woman. Luisita never knew her biological father, who left Gertrude when Luisita was only two years old. Her mother eventually remarried with Guido Krökel, an aerial contortionist who worked with the Leers-Arvello Troupe; their act, which combined Roman Rings and acrobatic pyramids, was mostly an aerial display of strength.

Guido took care of Luisita's artistic education without much tenderness, and transformed her into an exceptionally strong female athlete, who was able to hold her own in the Leers-Arvellos's various exhibitions of strength. Luisita made her professional debut on March 8, 1920 in Cologne (Köln), working with the troupe on the Roman ringsA pair of small wooden or metallic rings hanging from ropes or straps, used by circus aerialists as well as competition gymnasts.. She was eleven years old! Soon, she could perform a one-arm "plange(American, From the French, ''planche'') Acrobatic figure in which one's body is held in a straight horizontal position." (or planche(French) Acrobatic figure in which one's body is held in a straight horizontal position.) and an "iron cross," which were then supposed to belong exclusively to a male repertoire, and she even held with one arm her hanging stepfather. Meanwhile, she was building a trapeze act of her own, in which she could display her unusual strength. She began her solo trapeze career in 1926.

Her remarkable work on the trapeze quickly drew attention, and she was featured in some of the world's most prestigious circuses and variety theaters, from the legendary Wintergarten and Scala in Berlin to the Roxy, New York's premier movie palace, and a four-year contract with Ringling Bros. and Barnum & Bailey Circus from 1928 through 1933. There, she occupied a center-ring position in a program that was particularly rich in stellar aerialists: It included Winnie Colleano on the swinging trapeze, the Codonas and the Siegrist-Silbons on the flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze), and the undisputed star of the show, Lillian Leitzel, on the Roman ringsA pair of small wooden or metallic rings hanging from ropes or straps, used by circus aerialists as well as competition gymnasts..... (more...)

New Essays and Biographies

New Videos

  • Duo Dádiva, rola-bolaA board balancing on one or more cylinders piled on each other, and on which an acrobat stands performing juggling or acrobatic tricks. (2020)
  • Duo Soul, aerial hoopA heavy metallic hoop used as a variance of trapeze, usually with contortion moves. (Also called Cerceau.) (2024)
  • Davio Togni, hippo, rhino and leopard act (c.1995)
  • Pneumatic Arts, flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze) (2024)
  • Victoriia Dziuba, hand-balancer (2023)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator