Difference between revisions of "Main Page"

From Circopedia

 
(106 intermediate revisions by the same user not shown)
Line 17: Line 17:
  
 
==In The Spotlight==
 
==In The Spotlight==
 +
[[File:Luisita_Leers_trap.jpg|right|350px]]
 +
===LUISITA LEERS===
  
===ALFRED COURT===
+
Luisita Leers (1909-1997) was born Martha Luise Krökel in Wiesbaden, in the western state of Hesse in Germany, on October 14, 1909. Her mother, Gertrude, was a member of the Reichenbach circus family. A physically powerful woman, Gertrude acquired fame with an elegant and spectacular acrobatic act, Les Leandros, in which she was the under-stander—an unusual occurrence for a woman. Luisita never knew her biological father, who left Gertrude when Luisita was only two years old. Her mother eventually remarried with Guido Krökel, an aerial contortionist who worked with the Leers-Arvello Troupe; their act, which combined Roman Rings and acrobatic pyramids, was mostly an aerial display of strength.
  
[[File:Alfred_Court_-_RBBB.png|450px|right]]Alfred Court (1883-1977) is perhaps the most remarkable French circus personality of the first half of the twentieth century. Beginning his career as an outstanding acrobat, he became a successful, yet adventurous, circus entrepreneur, first in Mexico and later in Europe, before ending as one of the greatest wild animal trainers of all times—and as such, a major circus star in Europe and America.
+
Guido took care of Luisita's artistic education without much tenderness, and transformed her into an exceptionally strong female athlete, who was able to hold her own in the Leers-Arvellos's various exhibitions of strength. Luisita made her professional debut on March 8, 1920 in Cologne (Köln), working with the troupe on the Roman rings. She was eleven years old! Soon, she could perform a one-arm "plange" (or planche) and an "iron cross," which were then supposed to belong exclusively to a male repertoire, and she even held with one arm her hanging stepfather. Meanwhile, she was building a trapeze act of her own, in which she could display her unusual strength. She began her solo trapeze career in 1926.
  
He was born into a wealthy family in Marseille, France, on January 1, 1883. His father, Joseph Court-Payen, worked for the family’s soap business (Marseille was then the capital of France’s soap industry), and his mother was the daughter of the Marquis de Clapier, a rich aristocrat well introduced in political circles. Alfred was the youngest of a family of ten children.
+
Her remarkable work on the trapeze quickly drew attention, and she was featured in some of the world's most prestigious circuses and variety theaters, from the legendary Wintergarten and Scala in Berlin to the Roxy, New York's premier movie palace, and a four-year contract with Ringling Bros. and Barnum & Bailey Circus from 1928 through 1933. There, she occupied a center-ring position in a program that was particularly rich in stellar aerialists: It included Winnie Colleano on the swinging trapeze, the Codonas and the Siegrist-Silbons on the flying trapeze, and the undisputed star of the show, Lillian Leitzel, on the Roman rings.... ([[Luisita Leers|more...]])
 
+
Considering his pedigree, chances that Alfred Court would become a circus acrobat were slim at best. A strong-willed kid, young Alfred was by no means rebellious, and by his own account, he had a happy childhood. But he was the last-born of a large brood, and was not necessarily expected to join in the family business. This gave him some freedom of mind. Furthermore, his parents never discouraged his early passion for circus and acrobatics—a passion he shared with his older brother, Jules (1880-1955).
+
 
+
Circa 1890, Alfred and Jules Court were sent to a Jesuit school in the Prado, a seaside borough of Marseille. Alfred and Jules also started training in gymnastics, which was all the rage among young men at the time: Society amateur circuses were flourishing then—like the famous Cirque Molier in Paris—and these were also the times when another sports enthusiast, the Baron Pierre de Coubertin, revived the Olympic Games (in 1896).
+
 
+
Over the years, Court developed an amazing strength, concealed by his slender build, and an outstanding talent on horizontal bars. An arduous gymnastics specialty, horizontal bars are also one of the most difficult acrobatic acts in the circus repertoire, and is rarely seen today. Yet it was relatively popular and quite alluring in the 1890s, and this was the specialty young Alfred chose to embrace for his upcoming circus debut.... ([[Alfred Court|more...]])
+
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
* [[Ross Mollison]], Circus Producer
+
* [[Alexis Gruss, Jr.]], Equestrian, Circus Owner
* [[Don Saunders]], Clown
+
* [[Alona Zhuravel]], Hand-Balancer
* [[Jo-Ann Jennier]], Aerialist, Animal Trainer
+
* [[George Carl]], Clown
* [[Ethel Jennier]], Aerialist, Animal Trainer
+
* [[Cedric Walker]], Circus Owner
* [[Walter Jennier]], Sea Lion Trainer
+
* [[The Aragón Family]], Clown Dynasty
  
 
==New Videos==
 
==New Videos==
  
* [[Riveros_Video_(2023)|Elizabeth Riveros]], aerial pole (2023)
+
* [[Davio_Togni_Video_(c.1995)|Davio Togni]], hippo, rhino and leopard act (c.1995)
* [[Ringenbach_Cort_Bros_Video_(2023)|Lorenzo Ringenbach & Sascha Cort]], diabolo act (2023)
+
* [[Pneumatic_Arts_Video_(2024)|Pneumatic Arts]], flying trapeze (2024)
* [[Hng_Thean_Leong_Video_(2023)|Hng Thean Leong]], diabolo act (2023)
+
* [[Dziuba_Video_(2023)|Victoriia Dziuba]], hand-balancer (2023)
* [[Lemon_Bros_Video_(2023)|Lemon Brothers]], Korean teeterboard (2023)
+
* [[Bella_Ringenbach_Video_(2002)|Bella Ringenbach]], tiger act (2002)
* [[Soma_Video_(2023)|Duo Soma]], perch-pole balancing (2023)
+
* [[Alexis_Gruss_Liberty_Video_(2022)|Alexis Gruss]], liberty presentation (2022)
  
 
==New Oral Histories==
 
==New Oral Histories==

Latest revision as of 19:40, 31 May 2024


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia was originally inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

Luisita Leers trap.jpg

LUISITA LEERS

Luisita Leers (1909-1997) was born Martha Luise Krökel in Wiesbaden, in the western state of Hesse in Germany, on October 14, 1909. Her mother, Gertrude, was a member of the Reichenbach circus family. A physically powerful woman, Gertrude acquired fame with an elegant and spectacular acrobatic act, Les Leandros, in which she was the under-standerIn an acrobatic act, the person who is at the base, supporting other acrobats (for example, the base of a human pyramid). Also known as the "bottom Man" (or "Bottom Woman").—an unusual occurrence for a woman. Luisita never knew her biological father, who left Gertrude when Luisita was only two years old. Her mother eventually remarried with Guido Krökel, an aerial contortionist who worked with the Leers-Arvello Troupe; their act, which combined Roman Rings and acrobatic pyramids, was mostly an aerial display of strength.

Guido took care of Luisita's artistic education without much tenderness, and transformed her into an exceptionally strong female athlete, who was able to hold her own in the Leers-Arvellos's various exhibitions of strength. Luisita made her professional debut on March 8, 1920 in Cologne (Köln), working with the troupe on the Roman ringsA pair of small wooden or metallic rings hanging from ropes or straps, used by circus aerialists as well as competition gymnasts.. She was eleven years old! Soon, she could perform a one-arm "plange(American, From the French, ''planche'') Acrobatic figure in which one's body is held in a straight horizontal position." (or planche(French) Acrobatic figure in which one's body is held in a straight horizontal position.) and an "iron cross," which were then supposed to belong exclusively to a male repertoire, and she even held with one arm her hanging stepfather. Meanwhile, she was building a trapeze act of her own, in which she could display her unusual strength. She began her solo trapeze career in 1926.

Her remarkable work on the trapeze quickly drew attention, and she was featured in some of the world's most prestigious circuses and variety theaters, from the legendary Wintergarten and Scala in Berlin to the Roxy, New York's premier movie palace, and a four-year contract with Ringling Bros. and Barnum & Bailey Circus from 1928 through 1933. There, she occupied a center-ring position in a program that was particularly rich in stellar aerialists: It included Winnie Colleano on the swinging trapeze, the Codonas and the Siegrist-Silbons on the flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze), and the undisputed star of the show, Lillian Leitzel, on the Roman ringsA pair of small wooden or metallic rings hanging from ropes or straps, used by circus aerialists as well as competition gymnasts..... (more...)

New Essays and Biographies

New Videos

  • Davio Togni, hippo, rhino and leopard act (c.1995)
  • Pneumatic Arts, flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze) (2024)
  • Victoriia Dziuba, hand-balancer (2023)
  • Bella Ringenbach, tiger act (2002)
  • Alexis Gruss, liberty"Liberty act", "Horses at liberty": Unmounted horses presented from the center of the ring by an equestrian directing his charges with his voice, body movements, and signals from a ''chambrière'' (French), or long whip. presentation (2022)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator