Difference between revisions of "Main Page"

From Circopedia

 
Line 4: Line 4:
 
------------------------------Banner across top of page------------------------------>
 
------------------------------Banner across top of page------------------------------>
 
{| id="mp-topbanner" style="width:100%; background:#fcfcfc; margin-top:1.2em; border:1px solid #ccc;"
 
{| id="mp-topbanner" style="width:100%; background:#fcfcfc; margin-top:1.2em; border:1px solid #ccc;"
|style="width:56%; color:#000"| <!--  
+
|style="width:56%; color:#0000"| <!--  
  
 
-----------"Welcome to Circopedia" and article count---------->
 
-----------"Welcome to Circopedia" and article count---------->
{| style="width:500px; border:solid 0px; background:none;"
+
{| style="width:100%; border:solid 0px; background:none;"
 
|style="width:500px; text-align:center; white-space:nowrap; color:#000;"|
 
|style="width:500px; text-align:center; white-space:nowrap; color:#000;"|
<div style="font-size:162%; border:none; margin:0; padding:.1em; color:#000;">Welcome to Circopedia,</div>
+
<br><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ
<div style="top:+0.2em; font-size:95%;">the free encyclopedia of the international circus.<br />A project of the [http://www.bigapplecircus.org/ Big Apple Circus],<br />inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation].</div>
+
ε!</div><div style="font-size:175%; border:none; margin:0; padding:.1em; color:#996666;">Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!</div><div style="font-size:165%; border:none; margin:0; padding:.1em; color:#996666;">Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!</div><br/>
|}<!--
+
<div style="top:+0.2em; font-size:98%;"> ''Circopedia was originally inspired and funded by the [http://www.sdrubin.org/ Shelley & Donald Rubin Foundation]''.</div><br/>
  
------------Category list on righthand side---------->
+
|}
|style="width:11%; font-size:95%;"|
+
*[[:Category:Artists and Acts|Artists and Acts]]
+
*[[:Category:Circus Arts|Circus Specialties]]
+
*[[:Category:Circuses|Circuses]]
+
*[[:Category:History|Circus History]]
+
|style="width:11%; font-size:95%;"|
+
*[[:Category:Oral History|Oral History]]
+
*[[:Category:Photo Archive|Photo Archive]]
+
*[[:Category:Video Archive|Video Archive]]
+
*[[Links]]
+
 
|}
 
|}
  
 +
==In The Spotlight==
 +
[[File:Luisita_Leers_trap.jpg|right|350px]]
 +
===LUISITA LEERS===
  
==In the Spotlight==
+
Luisita Leers (1909-1997) was born Martha Luise Krökel in Wiesbaden, in the western state of Hesse in Germany, on October 14, 1909. Her mother, Gertrude, was a member of the Reichenbach circus family. A physically powerful woman, Gertrude acquired fame with an elegant and spectacular acrobatic act, Les Leandros, in which she was the under-stander—an unusual occurrence for a woman. Luisita never knew her biological father, who left Gertrude when Luisita was only two years old. Her mother eventually remarried with Guido Krökel, an aerial contortionist who worked with the Leers-Arvello Troupe; their act, which combined Roman Rings and acrobatic pyramids, was mostly an aerial display of strength.
  
===LES CASTORS===
+
Guido took care of Luisita's artistic education without much tenderness, and transformed her into an exceptionally strong female athlete, who was able to hold her own in the Leers-Arvellos's various exhibitions of strength. Luisita made her professional debut on March 8, 1920 in Cologne (Köln), working with the troupe on the Roman rings. She was eleven years old! Soon, she could perform a one-arm "plange" (or planche) and an "iron cross," which were then supposed to belong exclusively to a male repertoire, and she even held with one arm her hanging stepfather. Meanwhile, she was building a trapeze act of her own, in which she could display her unusual strength. She began her solo trapeze career in 1926.
[[Image:Les_Castors_with_clock.jpg|right|100px]]The Castors may well be one of the longest running acrobatic acts in show business, with a uninterrupted career that spans more than a half-century. Even though their act has changed in appearance and details through five decades, it has remained the same in form—a mixture of foot juggling and risley act, which, over the years, has been increasingly interspersed with touches of comedy.  
+
  
Toly (Anatole, b. 1943), Charly (Charles, b. 1945), and Eddy (Edouard, b. 1949) were all born in Paris, France: In spite of incessant family travels, their mother, being of Russian origin, believed that having all her children born in the French capital would ease the intricate French administrative procedures. Their father, Louis Dedessus le Moutier (1910-2004), was fourth generation of an old French circus family; Nona, their mother, was born Bedini, a celebrated Russian circus family of Italian origins... ([[Les Castors|more...]])
+
Her remarkable work on the trapeze quickly drew attention, and she was featured in some of the world's most prestigious circuses and variety theaters, from the legendary Wintergarten and Scala in Berlin to the Roxy, New York's premier movie palace, and a four-year contract with Ringling Bros. and Barnum & Bailey Circus from 1928 through 1933. There, she occupied a center-ring position in a program that was particularly rich in stellar aerialists: It included Winnie Colleano on the swinging trapeze, the Codonas and the Siegrist-Silbons on the flying trapeze, and the undisputed star of the show, Lillian Leitzel, on the Roman rings.... ([[Luisita Leers|more...]])
  
==New Biographies==
+
==New Essays and Biographies==
*[[Les Frères Taquin]], Comedy Act
+
 
*[[Maryse Begary]], Aerialist
+
* [[Alexis Gruss, Jr.]], Equestrian, Circus Owner
*[[Johnny Hutch]], Acrobat
+
* [[Alona Zhuravel]], Hand-Balancer
*[[Les Castors]], Foot Jugglers & Icarists
+
* [[George Carl]], Clown
*[[Reggie Armor]], Aerialist
+
* [[Cedric Walker]], Circus Owner
 +
* [[The Aragón Family]], Clown Dynasty
  
 
==New Videos==
 
==New Videos==
*[[Perezvony_Video_(c_2005)|Perezvony]], Flying Act (c.2005)
 
*[[Les_Bario_Video_(1965)|Les Bario]], Clowns (c.1965)
 
*[[Flying_Jimenez_Video_1980|The Flying Jimenez]], Flying Trapeze (1980)
 
*[[Gerd Siemoneit Video (1965)|Gerd Siemoneit]], Animal Trainer (1965)
 
*[[The_Ashtons_Video_(c.1975)|The Ashtons]], Risley Act (c.1975)
 
  
==Featured Oral Histories==
+
* [[Davio_Togni_Video_(c.1995)|Davio Togni]], hippo, rhino and leopard act (c.1995)
*[[Olivier Taquin Interview 2008|Olivier Taquin]], Mime - Interview (Jando, 2008)
+
* [[Pneumatic_Arts_Video_(2024)|Pneumatic Arts]], flying trapeze (2024)
*[[Barry Lubin Interview 2008|Barry Lubin]], Clown (Grandma) - Interview (Jando, 2008)
+
* [[Dziuba_Video_(2023)|Victoriia Dziuba]], hand-balancer (2023)
*[[Fumagalli Interview 2008|Fumagalli]], Clown - Interview (Jando, 2008)
+
* [[Bella_Ringenbach_Video_(2002)|Bella Ringenbach]], tiger act (2002)
*[[Kris Kremo Interview 2007|Kris Kremo]], Juggler - Interview (Jando, 2007)
+
* [[Alexis_Gruss_Liberty_Video_(2022)|Alexis Gruss]], liberty presentation (2022)
 +
 
 +
==New Oral Histories==
 +
 
 +
* [[BAC_Blumberg_Video_(1977)|''For A Moment You Fly'']], The First Season of The Big Apple Circus (1977)
 +
* [[Durov_Documentary_Video_(c.2000)|Vladimir Durov Documentary]] on Russian Television (c.2000)
 +
* [[Dolly_Jacobs_Interview_Video_(2018)|Dolly Jacobs Interview]] at The Ringling (2018)
 +
* [[Pinito_del_Oro_RTE_Video_(1970)|Pinito del Oro's Interview]] on Spanish Television (1970)
 +
* [[Eradze_Video_(2015)|Gia Eradze]]'s Interview on SSU TV (2015)
 +
 
 +
==Circopedia Books==
 +
 
 +
* [[Circopedia Books|Philip Astley & The Horsemen who invented the Circus]], by Dominique Jando (2018)
  
==A Message from the Editor==
+
==A Message from the Founder==
  
:''CIRCOPEDIA is a constantly evolving and expanding encyclopedia of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow!''  
+
''CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly&mdash;and sometimes daily&mdash;basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to [[Circopedia:Contact|contact us]]: we will definitely consider your remarks and suggestions.''  
  
:Dominique Jando
+
:'''Dominique Jando'''
 +
:Founder and Curator

Latest revision as of 19:40, 31 May 2024


Welcome! ✫ Bienvenue! ✫ Willkommen! ✫ Добро Пожаловать!
Bienvenida! ✫ Benvenuto! ✫ 歡迎 ! ✫ Vítejte! ✫ Καλώς ήρθατ ε!
Üdvözöljük! ✫ Добре Дошли! ✫ Welkom! ✫ Ласкаво Просимо!
Velkommen! ✫ Tervetuloa! ✫ Дабро Запрашаем! ✫ Välkommen!

Circopedia was originally inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

Luisita Leers trap.jpg

LUISITA LEERS

Luisita Leers (1909-1997) was born Martha Luise Krökel in Wiesbaden, in the western state of Hesse in Germany, on October 14, 1909. Her mother, Gertrude, was a member of the Reichenbach circus family. A physically powerful woman, Gertrude acquired fame with an elegant and spectacular acrobatic act, Les Leandros, in which she was the under-standerIn an acrobatic act, the person who is at the base, supporting other acrobats (for example, the base of a human pyramid). Also known as the "bottom Man" (or "Bottom Woman").—an unusual occurrence for a woman. Luisita never knew her biological father, who left Gertrude when Luisita was only two years old. Her mother eventually remarried with Guido Krökel, an aerial contortionist who worked with the Leers-Arvello Troupe; their act, which combined Roman Rings and acrobatic pyramids, was mostly an aerial display of strength.

Guido took care of Luisita's artistic education without much tenderness, and transformed her into an exceptionally strong female athlete, who was able to hold her own in the Leers-Arvellos's various exhibitions of strength. Luisita made her professional debut on March 8, 1920 in Cologne (Köln), working with the troupe on the Roman ringsA pair of small wooden or metallic rings hanging from ropes or straps, used by circus aerialists as well as competition gymnasts.. She was eleven years old! Soon, she could perform a one-arm "plange(American, From the French, ''planche'') Acrobatic figure in which one's body is held in a straight horizontal position." (or planche(French) Acrobatic figure in which one's body is held in a straight horizontal position.) and an "iron cross," which were then supposed to belong exclusively to a male repertoire, and she even held with one arm her hanging stepfather. Meanwhile, she was building a trapeze act of her own, in which she could display her unusual strength. She began her solo trapeze career in 1926.

Her remarkable work on the trapeze quickly drew attention, and she was featured in some of the world's most prestigious circuses and variety theaters, from the legendary Wintergarten and Scala in Berlin to the Roxy, New York's premier movie palace, and a four-year contract with Ringling Bros. and Barnum & Bailey Circus from 1928 through 1933. There, she occupied a center-ring position in a program that was particularly rich in stellar aerialists: It included Winnie Colleano on the swinging trapeze, the Codonas and the Siegrist-Silbons on the flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze), and the undisputed star of the show, Lillian Leitzel, on the Roman ringsA pair of small wooden or metallic rings hanging from ropes or straps, used by circus aerialists as well as competition gymnasts..... (more...)

New Essays and Biographies

New Videos

  • Davio Togni, hippo, rhino and leopard act (c.1995)
  • Pneumatic Arts, flying trapezeAerial act in which an acrobat is propelled from a trapeze to a catcher, or to another trapeze. (See also: Short-distance Flying Trapeze) (2024)
  • Victoriia Dziuba, hand-balancer (2023)
  • Bella Ringenbach, tiger act (2002)
  • Alexis Gruss, liberty"Liberty act", "Horses at liberty": Unmounted horses presented from the center of the ring by an equestrian directing his charges with his voice, body movements, and signals from a ''chambrière'' (French), or long whip. presentation (2022)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator