Difference between revisions of "Main Page"

From Circopedia

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==In The Spotlight==
 
==In The Spotlight==
[[File:Moira.jpg|right|200px]]
 
===MOIRA ORFEI===
 
Moira Orfei (born Miranda Orfei, 1931-2015) was an Italian pop-culture icon. A member of Italy's most famous circus family, she could compete in fame with any Italian music or movie legend. She was undoubtedly the only circus owner in the world who could get away (for forty years, no less!) with advertising her circus using posters that prominently displayed only her head shot and her first name. Much of her reputation was due to her long movie career, which coincided with the golden age of Italian cinema. But it was also due to the quality of her circus.
 
  
The daughter of Riccardo Orfei and Violetta Arata, she was born in the family's living trailer on December 21, 1931 in Codriopo, Italy. As a child, Moira was trained in all the basic circus disciplines. In 1960—without ever leaving the circus—she began a movie career. Ultimately, she appeared in nearly forty films, including popular Italian comedies and a host of internationally successful Italian productions based on mythological themes, such as the ''Hercules'', ''Ursus'', and ''Samson'' series.... ([[Moira Orfei|more...]])
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===ITALO MEDINI===
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Italo Medini (1924-2015) was one of the greatest jugglers of the past century who worked in the Italian tradition exemplified by the legendary Enrico Rastelli. He and his twin brother, Franco (1924-2014) were born June 9, 1924 in Orléans, France, to Carlo Medini and his wife, Anna, née Périé, during an engagement of their parents with the Cirque Alphonse Rancy. A clown and acrobat, Carlo Medini belonged to an old and numerous Italian circus family; his wife, Anna, whom he married in 1920, was the daughter of Pierre Périé, the owner of a highly respected French provincial circus before WWII.
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Italo made his circus debut at age three, as a miniature clown in his father’s clown act. He would later become his father’s whiteface clown, in which role he showed great proficiency as a saxophone and concertina player. Quite early, too, Italo became part of the Carlo Medini aerial casting and acrobatic act. He found his true calling, though, when he saw the German juggling prodigy Trixie Firschke (1920-2001), with whom the Medinis shared a bill at Vienna’s Circus Renz. From then on, Italo began training in a specialty for which he showed an uncanny ability.
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The Medinis and the Rastellis were friends, and in Sptember 1931, Carlo took Italo to Paris’s Cirque Medrano to see Enrico Rastelli (1896-1931). Rastelli, who was universally considered as the world’s greatest juggler, was starring in the famous Parisian circus; the opportunity to get a few tips and lessons from the Master, even for a short time, was not something to be missed! As fate had it, it was also just in time, for Rastelli died unexpectedly three months later.... ([[Italo Medini|more...]])
  
 
==New Biographies==  
 
==New Biographies==  

Revision as of 18:59, 31 December 2015

Welcome! • Bienvenue! • Willkommen! • Добро Пожаловать!
Bienvenida! • Benvenuto! • 歡迎 ! • Vítejte! • Καλώς ήρθατε!
Üdvözöljük! • Добре Дошли! • Welkom! • Ласкаво Просимо!
Velkommen! • Tervetuloa! • Дабро Запрашаем! • Välkommen!

Circopedia is a project of the Big Apple Circus,
inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

ITALO MEDINI

Italo Medini (1924-2015) was one of the greatest jugglers of the past century who worked in the Italian tradition exemplified by the legendary Enrico Rastelli. He and his twin brother, Franco (1924-2014) were born June 9, 1924 in Orléans, France, to Carlo Medini and his wife, Anna, née Périé, during an engagement of their parents with the Cirque Alphonse Rancy. A clown and acrobat, Carlo Medini belonged to an old and numerous Italian circus family; his wife, Anna, whom he married in 1920, was the daughter of Pierre Périé, the owner of a highly respected French provincial circus before WWII.

Italo made his circus debut at age three, as a miniature clown in his father’s clown act. He would later become his father’s whiteface clownGeneric term for all clowns and augustes. '''Specific:''' In Europe, the elegant, whiteface character who plays the role of the straight man to the Auguste in a clown team., in which role he showed great proficiency as a saxophone and concertina player. Quite early, too, Italo became part of the Carlo Medini aerial casting and acrobatic act. He found his true calling, though, when he saw the German juggling prodigy Trixie Firschke (1920-2001), with whom the Medinis shared a bill at Vienna’s Circus Renz. From then on, Italo began training in a specialty for which he showed an uncanny ability.

The Medinis and the Rastellis were friends, and in Sptember 1931, Carlo took Italo to Paris’s Cirque Medrano to see Enrico Rastelli (1896-1931). Rastelli, who was universally considered as the world’s greatest juggler, was starring in the famous Parisian circus; the opportunity to get a few tips and lessons from the Master, even for a short time, was not something to be missed! As fate had it, it was also just in time, for Rastelli died unexpectedly three months later.... (more...)

New Biographies

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Featured Oral Histories

A Message from the Editor

CIRCOPEDIA is a constantly evolving and expanding encyclopedia of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. So keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Editor/Curator