Difference between revisions of "Main Page"

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==In the Spotlight==
 
==In the Spotlight==
  
===CIRCUS OZ===  
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===MARYSE BEGARY===  
The origins of Circus Oz can be traced directly back to the new Australian theatre of the late sixties and early seventies. The ideas that informed the theatre of that time (the development of an Australian voice, ensemble playing and group creativity, heightened and exuberant physicality, an interest in contemporary international trends, breaking down the barriers between spectator and performer, an exploration of comedy, populism, overt political stands and a strong focus on the performer) were integral to the philosophical base upon which Circus Oz was founded. Many of the original members of Circus Oz were active in the new wave of Australian performance and brought to the company attitudes that were forged and developed during that time...  ([[Circus Oz|more...]])
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Born on February 20, 1926 in Paris, France, the daughter of a baker, Andrée "Maryse" Begary (1926-2007) was one of the most accomplished and celebrated aerialists  of her day, famous for her exceptional handstand on the trapeze bar—which she could hold for more than one minute—and her spectacular series of rotating one-arm planges (also known as "dislocations"), with which she emulated her idol, Lillian Leitzel (1892-1921). Young Andrée started training on the trapeze on her doctor’s recommendation, to improve a poor health condition. She became apprentice to a celebrated gymnast on horizontal bars, Nicolas Marcoud, who had a successful career with the Marcoud-Banola Troupe. Andrée adopted his name (as was the tradition then, in the circus, when a young performer had apprenticed to a famous master) when she started her performing career. Thus, under the name of Andrée Marcoud, she made her professional debut at Paris’s Cirque Medrano on April 14, 1939; she was thirteen years old....  ([[Maryse Begary|more...]])
  
 
==New Biographies==
 
==New Biographies==

Revision as of 21:24, 1 September 2010

Welcome to Circopedia,
the free encyclopedia of the international circus.
A project of the Big Apple Circus,
inspired and funded by the Shelley & Donald Rubin Foundation.

In the Spotlight

MARYSE BEGARY

Born on February 20, 1926 in Paris, France, the daughter of a baker, Andrée "Maryse" Begary (1926-2007) was one of the most accomplished and celebrated aerialists of her day, famous for her exceptional handstand on the trapeze bar—which she could hold for more than one minute—and her spectacular series of rotating one-arm planges (also known as "dislocations"), with which she emulated her idol, Lillian Leitzel (1892-1921). Young Andrée started training on the trapeze on her doctor’s recommendation, to improve a poor health condition. She became apprentice to a celebrated gymnast on horizontal bars, Nicolas Marcoud, who had a successful career with the Marcoud-Banola Troupe. Andrée adopted his name (as was the tradition then, in the circus, when a young performer had apprenticed to a famous master) when she started her performing career. Thus, under the name of Andrée Marcoud, she made her professional debut at Paris’s Cirque Medrano on April 14, 1939; she was thirteen years old.... (more...)

New Biographies

New Videos

  • Katja Schumann, The CourierAn equestrian presentation created by Andrew Ducrow in 1827 as ''The Courier of St. Petersburg'', in which a rider stands on two galloping horses, one foot on each, and allows other horses to pass between his mounts, catching their reins as they pass, eventually holding the reins a group of galloping horses in front of him. (Also known in French as ''La Poste''.) (1989)
  • Olivier & Melinda, Hand-to-Hand Balancing (1989)
  • Pedro Reis, Cloud Swing (1989)
  • Vince Bruce, Trick Roper (1989)
  • David Rosaire, Dog Act (1989)

Featured Oral Histories

A Message from the Editor

CIRCOPEDIA is a constantly evolving and expanding encyclopedia of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow!
Dominique Jando