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==In The Spotlight==
 
==In The Spotlight==
  
===MOIRA ORFEI===
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===ALEXANDRE PALISSE===
[[File:Moira_Orfei_and_elephants.jpg|right|400px]]
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Moira Orfei (born Miranda Orfei, 1931-2015) was an Italian pop-culture icon. A member of Italy's most famous circus family, she could compete in fame with any Italian music or movie legend. She was undoubtedly the only circus owner in the world who could get away (for forty years, no less!) with advertising her circus using posters that prominently displayed only her head shot and her first name. Much of her reputation was due to her long movie career, which coincided with the golden age of Italian cinema. But it was also due to the quality of her circus.
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The daughter of Riccardo Orfei and Violetta Arata, she was born in the family's living trailer on December 21, 1931 in Codriopo, Italy. As a child, Moira was trained in all the basic circus disciplines. In 1960—without ever leaving the circus—she began a movie career. Ultimately, she appeared in nearly forty films, including popular Italian comedies and a host of internationally successful Italian productions based on mythological themes, such as the ''Hercules'', ''Ursus'', and ''Samson'' series.
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[[File:Palisse_in_costume.png|350px|right]]In the first half of the twentieth century, Alexandre Palisse (1876-1932) managed one of the best circuses touring the French provinces (and some bordering countries); in addition, his traveling equipment, which he conceived, was extremely innovative at the time and would inspire some of his competitors' way of touring. Palisse was also a clown, well known in Europe and South America for his spectacular costumes, his impeccable makeup, and his talent for training small animals. After his death in 1932, Jérôme Medrano bought and continued to exploit his elegant and revolutionary touring circus.  
  
In 1961, she married the acrobat Walter Nones (1934-2016), the son of Giuseppe Nones and Adele Medini. A year later, they formed a company with the Austrian Swoboda sisters (of the Medrano-Swoboda circus) and began a long career as circus owners and directors. A year after that, the Orfeis and the Swobodas parted ways. Moira and Walter went on to create their own Circo Moira Orfei, which quickly drew attention, both for the elegance of its productions and its infrastructures and, above all, for the high quality of its acts.
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Alexandre François Palisse was born in a circus family on November 17, 1876, during the family's stay in Saint-Chamond, an early industrial town in the Rhône-Alpes region of France. His father was Louis-Marius Palisse (1856-1891), an acrobat; his mother, Louise (1859-1895), née Bertoletti, was an equestrienne. Alexandre, who had a younger brother, Nicolas (1879-1938, an acrobat), was fifteen when he lost his father, and his mother died four years later: He had to help supporting his family at a young age, which developed in him earnestness and a sense of responsibility that was in no small part the reason of his success in life.
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Moira and Walter launched the monumental ''Circo sul Ghiaccio'' ("Circus on Ice") in 1969. It was easily the most sophisticated circus-on-ice show ever undertaken; it had both a circus ring and a skating rink, and the show included elaborate set changes, a huge variety of costumes, and an international cast of circus and variety megastars. During this period, Moira's elephant presentations made her a legend, while Walter became an excellent lion and tiger trainer.... ([[Moira Orfei|more...]])
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He was a good acrobat and tumbler, and had a knack for training small domestic animals, notably dogs. This led him to clowning, since small animal training was at the time regarded as the domain of clowns (which was spectacularly demonstrated by many of them, notably Anatoly and Vladimir Durov). Palisse worked either alone or with partners such as Pierre Perié (who will also create his own, successful circus) and Leonardo Ceratto, with whom he worked extensively in Spain and Portugal, and even in Argentina, where he had an enormous success with his trademark trained bulldogs.
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Around 1903-1904, Palisse was performing at the Cirque Plège, a popular French traveling circus of the period, which was showing at the annual fair of Amiens, in the north of France. Also at the fair was the ''Théâtre Grenier'', a well-known traveling theater created by Ernest Grenier (1855-1920), which presented a mixture of short films (a great novelty then) and variety acts. Adrienne Grenier (1882-1959), the owner's daughter, fell in love with Palisse, whom she went and see perform every day after her own performance at the Théâtre Grenier. Palisse reciprocated her feelings, and they were married in Caen, Normandy, on April 9, 1904—just before the start of this port city's annual fair. Then, in the summer of 1906, Palisse was touring in South America with Adrienne when, on July 4 in Montevideo, Uruguay, she gave him a son whom they named after his maternal grandfather, Ernest.
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Now that he was Enest Grenier's son-in-law, Palisse became a regular fixture of the Théâtre Grenier's programs. Grenier liked Palisse as a clown, but he also appreciated his seriousness; Palisse was helpful, hard-working, and a good addition to the family. The Théâtre Grenier was a successful business and, as an insider, Palisse had the opportunity to learn how to run efficiently a traveling entertainment organization; furthermore, not a simple employee anymore, he enjoyed his new status as member of a performing family that ran its own business, and he began entertaining the possibility of creating his own traveling circus. He eventually shared his aspirations with his father-in-law, who was willing to help finance his project..... ([[Alexandre Palisse|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==
  
* [[Cedric Walker]], Circus Owner
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* [[Alessandro Guerra]], Equestrian, Circus Director
* [[The Aragón Family]], Clown Dynasty
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* [[Jimmy Scott]], Clown
* [[Totti Alexis]], Clown
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* [[Alexis Gruss, Jr.]], Equestrian, Circus Owner
* [[Ross Mollison]], Circus Producer
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* [[Alona Zhuravel]], Hand-Balancer
* [[Don Saunders]], Clown
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* [[George Carl]], Clown
  
 
==New Videos==
 
==New Videos==
  
* [[Duo_Gold_Video_(2020)|Ambra & Yves Nicols (2020)
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* [[Koechlin_Video_(2024)|Stephanie & Valerie Koechlin]], aerial hoop (2024)
* [[Mantchev_Trapeze_BAC_Video_(2012)|Andrey Mantchev]], Swinging Trapeze (2012)
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* [[Maverik_Niemen_Video_(2024)|Maverik Niemen]], rola-bola (2024)
* [[Roman_Tomanov_Video_(2021)|Roman Tomanov]], aerial straps (2021)
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* [[Volchek_Video_(2024)|Olga Volchek]], aerial foot juggling (2024)
* [[Marinoni_Video_(2024)|Marica Marinoni]], Cyr wheel (2024)  
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* [[Peperonis_Video_(2024)|Los Peperonis]], comedy trapeze act (2024)
* [[Monte_Carlo_Video_(2016)| International Circus Festival of Monte Carlo]], 40th Anniversary Gala (excerpts) (2016)
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* [[Adar_Video_(2024)|Yahav Adar]], Cyr wheel (2024)
  
 
==New Oral Histories==
 
==New Oral Histories==

Latest revision as of 04:26, 8 October 2024


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Circopedia was originally inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

ALEXANDRE PALISSE

Palisse in costume.png
In the first half of the twentieth century, Alexandre Palisse (1876-1932) managed one of the best circuses touring the French provinces (and some bordering countries); in addition, his traveling equipment, which he conceived, was extremely innovative at the time and would inspire some of his competitors' way of touring. Palisse was also a clownGeneric term for all clowns and augustes. '''Specific:''' In Europe, the elegant, whiteface character who plays the role of the straight man to the Auguste in a clown team., well known in Europe and South America for his spectacular costumes, his impeccable makeup, and his talent for training small animals. After his death in 1932, Jérôme Medrano bought and continued to exploit his elegant and revolutionary touring circus.

Alexandre François Palisse was born in a circus family on November 17, 1876, during the family's stay in Saint-Chamond, an early industrial town in the Rhône-Alpes region of France. His father was Louis-Marius Palisse (1856-1891), an acrobat; his mother, Louise (1859-1895), née Bertoletti, was an equestrienneA female equestrian, or horse trainer, horse presenter, or acrobat on horseback.. Alexandre, who had a younger brother, Nicolas (1879-1938, an acrobat), was fifteen when he lost his father, and his mother died four years later: He had to help supporting his family at a young age, which developed in him earnestness and a sense of responsibility that was in no small part the reason of his success in life.

He was a good acrobat and tumbler, and had a knack for training small domestic animals, notably dogs. This led him to clowning, since small animal training was at the time regarded as the domain of clowns (which was spectacularly demonstrated by many of them, notably Anatoly and Vladimir Durov). Palisse worked either alone or with partners such as Pierre Perié (who will also create his own, successful circus) and Leonardo Ceratto, with whom he worked extensively in Spain and Portugal, and even in Argentina, where he had an enormous success with his trademark trained bulldogs.

Around 1903-1904, Palisse was performing at the Cirque Plège, a popular French traveling circus of the period, which was showing at the annual fair of Amiens, in the north of France. Also at the fair was the Théâtre Grenier, a well-known traveling theater created by Ernest Grenier (1855-1920), which presented a mixture of short films (a great novelty then) and variety acts. Adrienne Grenier (1882-1959), the owner's daughter, fell in love with Palisse, whom she went and see perform every day after her own performance at the Théâtre Grenier. Palisse reciprocated her feelings, and they were married in Caen, Normandy, on April 9, 1904—just before the start of this port city's annual fair. Then, in the summer of 1906, Palisse was touring in South America with Adrienne when, on July 4 in Montevideo, Uruguay, she gave him a son whom they named after his maternal grandfather, Ernest.

Now that he was Enest Grenier's son-in-law, Palisse became a regular fixture of the Théâtre Grenier's programs. Grenier liked Palisse as a clownGeneric term for all clowns and augustes. '''Specific:''' In Europe, the elegant, whiteface character who plays the role of the straight man to the Auguste in a clown team., but he also appreciated his seriousness; Palisse was helpful, hard-working, and a good addition to the family. The Théâtre Grenier was a successful business and, as an insider, Palisse had the opportunity to learn how to run efficiently a traveling entertainment organization; furthermore, not a simple employee anymore, he enjoyed his new status as member of a performing family that ran its own business, and he began entertaining the possibility of creating his own traveling circus. He eventually shared his aspirations with his father-in-law, who was willing to help finance his project..... (more...)

New Essays and Biographies

New Videos

  • Stephanie & Valerie Koechlin, aerial hoopA heavy metallic hoop used as a variance of trapeze, usually with contortion moves. (Also called Cerceau.) (2024)
  • Maverik Niemen, rola-bolaA board balancing on one or more cylinders piled on each other, and on which an acrobat stands performing juggling or acrobatic tricks. (2024)
  • Olga Volchek, aerial foot juggling (2024)
  • Los Peperonis, comedy trapeze act (2024)
  • Yahav Adar, Cyr wheel (2024)

New Oral Histories

Circopedia Books

A Message from the Founder

CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Founder and Curator