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==In The Spotlight==
 
==In The Spotlight==
[[File:Hoppe_and_Horse.jpg|300px|right]]
 
===OSKAR HOPPE===
 
  
In the intricate chaos of post-WWII Germany, a number of minor German circus entrepreneurs (such as Emil Wacker, Kurt Collien, Willy Aureden, and Fritz Mey) rose from administrative positions they had held before the war, when the German itinerant circus was in its golden age, to a modicum of celebrity as new circus owners. Managing their way out of a difficult past, they ventured into various and sometimes interesting circus experiments with diverse fortunes. Among them, the opportunistic Oskar Hoppe proved to be particularly tenacious in his attempts to revive great names of the past by taking good advantage of the struggle of some old circus luminaries to stage a comeback.
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===THE THREE BRAGAZZI===
  
Oskar Hoppe (1898-1969) was the youngest of a family of sixteen children. Although his father didn’t come from the circus world, his mother belonged to an old traveling family. Oskar went to work (and learn) in the Wille family’s circus, a small enterprise where he quickly showed an aptitude for, and interest in, the administrative part of show business. He married Kathe Kuhlen, a circus tight wire-dancer, when he was quite young and, in the early 1920s, began to work as an administrative accountant for the circuses of Alfred Schneider and Willy Hagenbeck, and by 1935, for the new Circus Barlay of Harry Barlay and his wife Carola, née Althoff.
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The 3 Bragazzi (Alfredo, Umberto and Enrico Goretti) were a trio of Italian acrobats whose act met with great success, both in the circus ring and on the variety stage, from the 1940s up to the late 1960s. They began as young acrobats before performing a clown act with their father, Enrico, Sr., who had been part of a celebrated clown duo in Europe, the Albano Brothers. Then, as The 3 Bragazzi, the junior Gorettis created a comedy tumbling act, which over the years morphed into a pure visual-comedy act, keeping in with the family tradition.
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From Circus Barlay, he went on to manage Dominik Althoff’s circus. Dominik Althoff (1882-1974) had just given the direction of his enterprise to his children, Franz and Carola (who had quickly separated from Harry Barlay). While there, Oskar Hoppe, who had divorced his first wife, married Dominik’s daughter Helene (1907-1997). Then, in 1939, Helene and her bother Adolf (1913-1998) decided to go their own way and created the Circus Geschwister Althoff, the administration of which Oskar Hoppe, as usual, managed. But this association didn’t last long: By 1940, Helene and Adolf parted ways, Adolf going on tour with his own Circus Adolf Althoff, and Helene and Oskar with their new Helene Hoppe Circus. One may safely surmise that the meddling presence of his brother-in-law in the family combine didn’t thrill Adolf Althoff!... ([[Oskar Hoppe|more...]])
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Umberto (1909-1999), Alfredo (1912-2008) and Enrico (1916-2007) were the sons of Enrico Paolo Goretti and his wife, Ida, née Knorr. Enrico, Sr. had performed with his brother, Alfredo, Sr., an acrobatic act under the stage name of Wellington Brothers, before becoming quite famous as the Albano Brothers (or Hermanos Albano), a clown duo that was extremely popular in Spain, Portugal and France in the first quarter of the twentieth century. Among other venues, the Albano Brothers starred from 1908 to 1914 at Paris’s posh Nouveau Cirque, where they had successfully supplanted its legendary stars, Foottit and Chocolat.
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The senior Gorettis’ parents were Giuseppe Albano Angelo Goretti, an acrobat, and his wife, Josephine Napoleone, née Bragazzi (whose forenames belie a family admiration for the French emperor Napoléon and his clan). The senior Enrico and Alfredo will use their father’s second name, Albano, as their stage name; as for Enrico’s sons, they will eventually use their grandmother’s name, Bragazzi. None of them seem to have ever kept their real name, Goretti, as a stage name... ([[The Three Bragazzi|more...]])
  
 
==New Essays and Biographies==
 
==New Essays and Biographies==

Revision as of 02:39, 1 April 2021

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Circopedia was originally created with the support of the Big Apple Circus Ltd. and inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

THE THREE BRAGAZZI

The 3 Bragazzi (Alfredo, Umberto and Enrico Goretti) were a trio of Italian acrobats whose act met with great success, both in the circus ring and on the variety stage, from the 1940s up to the late 1960s. They began as young acrobats before performing a clown act with their father, Enrico, Sr., who had been part of a celebrated clown duo in Europe, the Albano Brothers. Then, as The 3 Bragazzi, the junior Gorettis created a comedy tumbling act, which over the years morphed into a pure visual-comedy act, keeping in with the family tradition.

Umberto (1909-1999), Alfredo (1912-2008) and Enrico (1916-2007) were the sons of Enrico Paolo Goretti and his wife, Ida, née Knorr. Enrico, Sr. had performed with his brother, Alfredo, Sr., an acrobatic act under the stage name of Wellington Brothers, before becoming quite famous as the Albano Brothers (or Hermanos Albano), a clown duo that was extremely popular in Spain, Portugal and France in the first quarter of the twentieth century. Among other venues, the Albano Brothers starred from 1908 to 1914 at Paris’s posh Nouveau Cirque, where they had successfully supplanted its legendary stars, Foottit and Chocolat.

The senior Gorettis’ parents were Giuseppe Albano Angelo Goretti, an acrobat, and his wife, Josephine Napoleone, née Bragazzi (whose forenames belie a family admiration for the French emperor Napoléon and his clan). The senior Enrico and Alfredo will use their father’s second name, Albano, as their stage name; as for Enrico’s sons, they will eventually use their grandmother’s name, Bragazzi. None of them seem to have ever kept their real name, Goretti, as a stage name... (more...)

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CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

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