Difference between revisions of "Main Page"

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==In The Spotlight==
 
==In The Spotlight==
[[File:Circus_Salamonsky_Moscow.jpg|thumb|right|400px|Circus Salamonsky (c.1900)]]
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[[File:Nikolai_Pavlenko_Portrait.jpg|right|250px]]
===THE CIRCUSES OF MOSCOW===
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===NIKOLAI PAVLENKO===
Although the name ''Moscow Circus'' is familiar to the public all over the world, there has never been one specific “Moscow Circus” whose troupe toured internationally. The name was a generic term for the circus shows from the USSR traveling abroad during the Soviet Era. It has, over time, become synonymous with “Russian circus.” Yet, there are today (2013) two resident circuses in Moscow, Circus Nikulin on Tsvetnoy Boulevard, and the Bolshoi Circus (''bolshoi'' means ''big'', in Russian) on Vernadsky Avenue—and there have been indeed several others before them.
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Nikolai Pavlenko is arguably the greatest tiger trainer of the late twentieth and early twenty-first centuries. His fluid presentation without any of the trappings traditionally used by cat trainers, his focus on featuring the beauty and talent of his animals above the personality of their trainer, the large number of tigers featured in his groups, his remarkable achievements in matter of training, and the sheer artistry of his presentations make him indeed an outstanding circus artist.
  
The first circus built in Russia was established by the French equestrian Jacques Tourniaire, who settled in 1827 in what was then the Russian capital, St. Petersburg. The building, designed by the architect Smaragd Shustov and named ''Cirque Olympique'', was located near the Fontanka canal, practically where St. Petersburg’s Bolshoi State Circus (the former Circus Ciniselli) stands today. Tourniaire’s circus had only a short existence: it was bought back by the government of St. Petersburg in 1828 to be transformed into a theater. Still, the event didn’t fail to catch the attention of the Muscovites, who always took exception to the influence of Peter The Great’s Baltic capital.... ([[The Circuses Of Moscow|more...]])
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Nikolai Karpovich Pavlenko was born November 21, 1943 in Severodonetsk, in southwestern Ukraine (then part of the Soviet Union). He began his career with wild animals in 1960, at age seventeen, working as an animal keeper for the Zoo-Circus, a group of traveling menageries and trained-animal exhibitions created in 1957 by SoyuzGosTsirk, the USSR central circus organization, to visit the cities of the vast Soviet Union that didn’t have a zoo or a permanent circus. Like Pavlenko, many great Russian animal trainers made their apprenticeship in the Zoo-Circus organization.... ([[Nikolai Pavlenko|more...]])
  
 
==New Biographies==  
 
==New Biographies==  

Revision as of 21:25, 1 December 2013

Welcome to Circopedia,
the free encyclopedia of the international circus.
A project of the Big Apple Circus,
inspired and funded by the Shelley & Donald Rubin Foundation.


In The Spotlight

Nikolai Pavlenko Portrait.jpg

NIKOLAI PAVLENKO

Nikolai Pavlenko is arguably the greatest tiger trainer of the late twentieth and early twenty-first centuries. His fluid presentation without any of the trappings traditionally used by cat trainers, his focus on featuring the beauty and talent of his animals above the personality of their trainer, the large number of tigers featured in his groups, his remarkable achievements in matter of training, and the sheer artistry of his presentations make him indeed an outstanding circus artist.

Nikolai Karpovich Pavlenko was born November 21, 1943 in Severodonetsk, in southwestern Ukraine (then part of the Soviet Union). He began his career with wild animals in 1960, at age seventeen, working as an animal keeper for the Zoo-Circus, a group of traveling menageries and trained-animal exhibitions created in 1957 by SoyuzGosTsirk, the USSR central circus organization, to visit the cities of the vast Soviet Union that didn’t have a zoo or a permanent circus. Like Pavlenko, many great Russian animal trainers made their apprenticeship in the Zoo-Circus organization.... (more...)

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CIRCOPEDIA is a constantly evolving and expanding encyclopedia of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. So keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

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