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==In The Spotlight==
 
==In The Spotlight==
 
[[File:Lola_Dobritch_GSOE.jpg|right|250px]]
 
[[File:Lola_Dobritch_GSOE.jpg|right|250px]]
===LOLA DOBRITCH===
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===UNUS===
A fourth-generation circus performer (through her mother), Lola Dobritch (1922-2008) was one of the great tight-wire artists of the mid-twentieth century, famous for crossing her wire on her toes like a ballerina—still a rare feat in her times—which, along with her natural grace and her use of a feather fan instead of an umbrella for balancing, won her to be advertised as “The Pavlova of the Silver Strand.
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Unus (1907-1994) was perhaps, in the mid-twentieth century, the most famous hand balancer in the circus business, thanks notably to John Ringling North, who made him a true circus star in the United States and, consequently, all over Europe. Unus was known as "The man who stands on his forefinger," a feat he performed with outstanding and—to this day—unmatched showmanship.
  
She was born Vera Dobrich—the correct English spelling of her name—on October 14, 1922 in Sofia, Bulgaria, to Alexandre and Anna Dobrich. Alexandre and his brother, Lazar (1881-1970), owned the Royal Dobrich Circus in Bulgaria. “Lola”, as Vera would become known (she was often featured as "Miss Lola"), learned all traditional circus disciplines from her parents and took ballet classes in Sofia, before specializing as a wire dancer. She made her debut on the wire at age ten, in 1932, in the family circus.... ([[Lola Dobritch|more...]])
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He was born Franz Furtner on October 19, 1907 in Eichgraben, a small town in the northeast of Austria. Franz didn’t belong to a circus family: He began his professional life as a carpenter. Yet over the years, he had developed a taste for acrobatics, and notably hand balancing, and he had a natural flair for performing. Soon, he realized that he could make a living just doing that.
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So Franz built a hand balancing act, and under the stage name Unus (a Latin word that means "one" or "single"—and by extension, "the first" or "the only one") made his professional debut in 1933, at age twenty-six. From the outset, he worked mostly in variete theaters, then extremely popular in Germany and Austria; this theatrical environment helped define the look of his act—a characteristic of which was an emphasis on urbanity and elegance.... ([[Unus|more...]])
  
 
==New Biographies==  
 
==New Biographies==  

Revision as of 21:31, 1 May 2014

Welcome to Circopedia,
the free encyclopedia of the international circus.
A project of the Big Apple Circus,
inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

Lola Dobritch GSOE.jpg

UNUS

Unus (1907-1994) was perhaps, in the mid-twentieth century, the most famous hand balancer in the circus business, thanks notably to John Ringling North, who made him a true circus star in the United States and, consequently, all over Europe. Unus was known as "The man who stands on his forefinger," a feat he performed with outstanding and—to this day—unmatched showmanship.

He was born Franz Furtner on October 19, 1907 in Eichgraben, a small town in the northeast of Austria. Franz didn’t belong to a circus family: He began his professional life as a carpenter. Yet over the years, he had developed a taste for acrobatics, and notably hand balancing, and he had a natural flair for performing. Soon, he realized that he could make a living just doing that.

So Franz built a hand balancing act, and under the stage name Unus (a Latin word that means "one" or "single"—and by extension, "the first" or "the only one") made his professional debut in 1933, at age twenty-six. From the outset, he worked mostly in variete theaters, then extremely popular in Germany and Austria; this theatrical environment helped define the look of his act—a characteristic of which was an emphasis on urbanity and elegance.... (more...)

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A Message from the Editor

CIRCOPEDIA is a constantly evolving and expanding encyclopedia of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. So keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

Dominique Jando
Editor/Curator