Difference between revisions of "Main Page"

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==In The Spotlight==
 
==In The Spotlight==
 
[[File:Gene_Mendez_jumping.jpeg|right|220px]]
 
[[File:Gene_Mendez_jumping.jpeg|right|220px]]
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===GENE MENDEZ===
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===PHILIP ASTLEY===
  
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Gene Mendez (1937-1993) is a legendary figure among high wire artists, a talented and fearless performer who helped popularize the style of the solo “daredevil” high-wire artist—as opposed to the often slow-moving high wire troupes that were the norm until the early 1970s. Energetic, nimble, with a wonderful “Latino” temperament, he worked without a balancing pole and without a net, in the manner of low wire artists such as Con Colleano.
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Philip Astley (1742-1814) is considered the creator of the modern circus. He was born January 8, 1742 in Newcastle-under-Lyme, in the West Midlands, England, the son of Edward Astley, a veneer-cutter and cabinet-maker. Edward had a short-fuse and a passion for horses, traits he passed on to his son. At age 17, Philip left home after one of many disputes with his father and enrolled in the 15th Light Dragoons, a cavalry regiment newly formed by Colonel Granville Elliott.
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From The Military To Show Business[edit]
  
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He was born Giner E. Mendez in 1937 in Moca, in the U.S. Territory of Puerto Rico. His family moved to Brooklyn, New York, when Gene was still a child. He wanted to be a circus artist; it was not just a vague childhood dream: As a teenager, he began to train seriously in gymnastics (notably on the horizontal bars) and did some bodybuilding. In 1951, after seeing Harold Alzana in the Ringling Bros. and Barnum & Baily show at Madison Square Garden in New York, Gene began self-training in wire walking… in his mother’s apartment! He quickly developed a talent for the craft, and eventually participated in a televised talent show in Philadelphia, where Karl Wallenda noticed him.
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Six feet tall and endowed with a stentorian voice, Philip Astley was a giant for his time and didn't easily blend into crowds, even when in uniform. A gifted equestrian, he was put in charge of breaking new horses for his regiment. He was also noticed by the celebrated riding and fencing master, Domenico Angelo, who took him under his tutelage and taught him a new method aimed at improving the use of the cavalry broadsword in battle—an expertise Astley would later display in his shows.
  
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The famous high wire artist contacted Gene and offered him to become a member of his troupe. Mendez trained with the Master, who had a special method for teaching confidence on the wire (which was close to the ground during rehearsals): He shook it violently to test his students’ balance. One day, the exercise led Gene to lose his balance pole and violently sway the cable as he fought to stay on it; Karl Wallenda had to jump down, but Gene quickly resumed his composure and remained on the wire, walking without his balance pole "à la Alzana." In fact, he always found it difficult to keep the pole in balance—even though the pole was meant to help ''him'' keep his balance!... ([[Gene Mendez|more...]])
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In 1761, Astley and his regiment embarked for the Continent to fight alongside King Frederick II of Prussia in the Seven Years' War (1756-63), known as the French and Indian War in America. Corporal Astley fought gallantly: he captured an enemy standard in battle; rescued the Duke of Brunswick, who had fallen behind enemy lines; and returned to England with the rank of Sergeant Major. He obtained his discharge on June 21, 1766 at Derby, and Elliott, now General, presented him with a white charger named Gibraltar. Astley married around this time. In 1769, his wife (of whom little is known) presented him with a son, John Philip Conway Astley (1767-1821).... ([[Philip Astley|more...]])
  
 
==New Biographies==
 
==New Biographies==

Revision as of 03:59, 29 November 2016

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Circopedia is a project of the Big Apple Circus,
inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

Gene Mendez jumping.jpeg

PHILIP ASTLEY

Philip Astley (1742-1814) is considered the creator of the modern circus. He was born January 8, 1742 in Newcastle-under-Lyme, in the West Midlands, England, the son of Edward Astley, a veneer-cutter and cabinet-maker. Edward had a short-fuse and a passion for horses, traits he passed on to his son. At age 17, Philip left home after one of many disputes with his father and enrolled in the 15th Light Dragoons, a cavalry regiment newly formed by Colonel Granville Elliott. From The Military To Show Business[edit]

Six feet tall and endowed with a stentorian voice, Philip Astley was a giant for his time and didn't easily blend into crowds, even when in uniform. A gifted equestrian, he was put in charge of breaking new horses for his regiment. He was also noticed by the celebrated riding and fencing master, Domenico Angelo, who took him under his tutelage and taught him a new method aimed at improving the use of the cavalry broadsword in battle—an expertise Astley would later display in his shows.

In 1761, Astley and his regiment embarked for the Continent to fight alongside King Frederick II of Prussia in the Seven Years' War (1756-63), known as the French and Indian War in America. Corporal Astley fought gallantly: he captured an enemy standard in battle; rescued the Duke of Brunswick, who had fallen behind enemy lines; and returned to England with the rank of Sergeant Major. He obtained his discharge on June 21, 1766 at Derby, and Elliott, now General, presented him with a white charger named Gibraltar. Astley married around this time. In 1769, his wife (of whom little is known) presented him with a son, John Philip Conway Astley (1767-1821).... (more...)

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CIRCOPEDIA is a constantly evolving and expanding encyclopedia of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. So keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

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