Difference between revisions of "Main Page"

From Circopedia

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==In The Spotlight==
 
==In The Spotlight==
  
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===ALFRED COURT===
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===ANGELINA===
  
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[[File:Alfred_Court_-_RBBB.png|450px|right]]Alfred Court (1883-1977) is perhaps the most remarkable French circus personality of the first half of the twentieth century. Beginning his career as an outstanding acrobat, he became a successful, yet adventurous, circus entrepreneur, first in Mexico and later in Europe, before ending as one of the greatest wild animal trainers of all times—and as such, a major circus star in Europe and America.
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Born Marie-Aude Jauze and the daughter of a fireman and a psychologist, Angélina was born near Paris, France. As a child, Marie-Aude had a talent for drawing, and she obtained a Baccalauréat in Art. The next natural step would have been to continue her art education, and she applied for the Ecole Nationale des Beaux Arts in Paris. Unfortunately, she was not accepted. This dramatically changed the course of her career.
  
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He was born into a wealthy family in Marseille, France, on January 1, 1883. His father, Joseph Court-Payen, worked for the family’s soap business (Marseille was then the capital of France’s soap industry), and his mother was the daughter of the Marquis de Clapier, a rich aristocrat well introduced in political circles. Alfred was the youngest of a family of ten children.
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Artistically inclined, Marie-Aude tried her chance in the performing arts: She applied for Marcel Marceau’s International Mime School, but she failed the audition. Then she tried the movies, without more success. She finally decided to leave Paris and moved to the Toulouse, in the southwest of France, a sunnier and more relaxed place to consider her future. Toulouse was the seat of a well-known circus school, the Lido, which had shown over the years a remarkable talent for creating acts with a strong touch of humor.
  
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Considering his pedigree, chances that Alfred Court would become a circus acrobat were slim at best. A strong-willed kid, young Alfred was by no means rebellious, and by his own account, he had a happy childhood. But he was the last-born of a large brood, and was not necessarily expected to join in the family business. This gave him some freedom of mind. Furthermore, his parents never discouraged his early passion for circus and acrobatics—a passion he shared with his older brother, Jules (1880-1955).
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Marie-Aude went there to take evening classes, and upon discovering that she was already too old to shine in acrobatics, she opted for trapeze—where she could still do something with the limited skills her age allowed her. Her strong imagination and her sense of humor were a good fit with the Lido’s approach to circus arts. In time, Marie-Aude became Angélina, a tired circus artist of indefinite age, still performing her worn-out acts—a trapeze presentation, and a hula-hoop exhibition. To both, she added a good dose of verbal humor.... ([[Angélina|more...]])
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Circa 1890, Alfred and Jules Court were sent to a Jesuit school in the Prado, a seaside borough of Marseille. Alfred and Jules also started training in gymnastics, which was all the rage among young men at the time: Society amateur circuses were flourishing then—like the famous Cirque Molier in Paris—and these were also the times when another sports enthusiast, the Baron Pierre de Coubertin, revived the Olympic Games (in 1896).
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Over the years, Court developed an amazing strength, concealed by his slender build, and an outstanding talent on horizontal bars. An arduous gymnastics specialty, horizontal bars are also one of the most difficult acrobatic acts in the circus repertoire, and is rarely seen today. Yet it was relatively popular and quite alluring in the 1890s, and this was the specialty young Alfred chose to embrace for his upcoming circus debut.... ([[Alfred Court|more...]])
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==New Essays and Biographies==
 
==New Essays and Biographies==

Revision as of 07:19, 29 October 2023


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Circopedia was originally inspired and funded by the Shelley & Donald Rubin Foundation.

In The Spotlight

ANGELINA

Born Marie-Aude Jauze and the daughter of a fireman and a psychologist, Angélina was born near Paris, France. As a child, Marie-Aude had a talent for drawing, and she obtained a Baccalauréat in Art. The next natural step would have been to continue her art education, and she applied for the Ecole Nationale des Beaux Arts in Paris. Unfortunately, she was not accepted. This dramatically changed the course of her career.

Artistically inclined, Marie-Aude tried her chance in the performing arts: She applied for Marcel Marceau’s International Mime School, but she failed the audition. Then she tried the movies, without more success. She finally decided to leave Paris and moved to the Toulouse, in the southwest of France, a sunnier and more relaxed place to consider her future. Toulouse was the seat of a well-known circus school, the Lido, which had shown over the years a remarkable talent for creating acts with a strong touch of humor.

Marie-Aude went there to take evening classes, and upon discovering that she was already too old to shine in acrobatics, she opted for trapeze—where she could still do something with the limited skills her age allowed her. Her strong imagination and her sense of humor were a good fit with the Lido’s approach to circus arts. In time, Marie-Aude became Angélina, a tired circus artist of indefinite age, still performing her worn-out acts—a trapeze presentation, and a hula-hoop exhibition. To both, she added a good dose of verbal humor.... (more...)

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CIRCOPEDIA is a constantly evolving and expanding archive of the international circus. New videos, biographies, essays, and documents are added to the site on a weekly—and sometimes daily—basis. Keep visiting us: even if today you don't find what you're looking for, it may well be here tomorrow! And if you are a serious circus scholar and spot a factual or historical inaccuracy, do not hesitate to contact us: we will definitely consider your remarks and suggestions.

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